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NEW YORK (Reuters) - Sheldon Adelson, the billionaire casino magnate and prominent Republican donor, has lost a $60 million libel lawsuit in which he claimed a Democratic group spread a false accusation that he had condoned prostitution in his casinos in Macau.
At issue was an article published on July 3, 2012 by the National Jewish Democratic Council (NJDC) on its website that sought to dissuade then-presidential candidate Mitt Romney and other Republicans from accepting Adelson's allegedly "dirty" and "tainted" money.
It cited reports about an accusation that the Las Vegas Sands Corp chief executive "personally approved of prostitution" in his Macau properties.
U.S. District Judge J. Paul Oetken in Manhattan on Monday said the article constituted protected speech and was not libelous.
The accusation, which Adelson has denied, had surfaced in a wrongful termination lawsuit against him by fired Las Vegas Sands executive Steven Jacobs. It was discussed in an Associated Press article about that lawsuit, to which the NJDC provided a hyperlink in its article online.
L. Lin Wood, a lawyer for Adelson, in an emailed statement said the decision denies his client "the basic right of trial by jury," and that an appeal is likely. He also said Las Vegas Sands has a "no tolerance" policy for prostitution.
"The statement by the National Jewish Democratic Council at issue in this case remains a boldfaced lie," said Wood, a partner at Wood, Hernacki & Evans in Atlanta.
Adelson, 80, is worth $28.5 billion and the 11th-richest American, Forbes magazine said this month, and had donated tens of millions of dollars to Republican candidates and organizations in the 2012 election cycle.
He claimed that the NJDC article was intended to advance the group's political interests by "assassinating" his character.
But in a 57-page decision, Oetken said Adelson failed to show that the defendants, which also included NJDC Chairman Marc Stanley and former NJDC President David Harris, acted with actual malice or reckless disregard of the truth.
The judge said the expressions "dirty money" and "tainted money" were imprecise and could not be proven true or false, and in context constituted protected expressions of opinion.
He also said the use of the hyperlink was proper, and that the defendant's reliance upon an article from a "reputable" news organization precluded a finding of liability.
"Protecting defendants who hyperlink to their sources is good public policy, as it fosters the facile dissemination of knowledge on the Internet," Oetken wrote. "It is to be expected, and celebrated, that the increasing access to information should decrease the need for defamation suits."
Adelson had sought $10 million of compensatory damages and $50 million of punitive damages. Oetken also ordered him to pay the defendants' legal fees.
In a phone interview, Stanley said he was pleased with the decision. "You just can't bully people with your money, and Adelson was trying to bully us with a lawsuit to suppress our speech during the election," he said. "David beat Goliath."
The case is Adelson v. Harris et al, U.S. District Court, Southern District of New York, No. 12-06052.
(Reporting by Jonathan Stempel in New York; Editing by Nick Zieminski)
By Eric Kelsey and Dana Feldman
LOS ANGELES (Reuters) - A Los Angeles jury cleared concert promoter AEG Live of liability on Wednesday in a wrongful death lawsuit brought by the family of Michael Jackson, in a trial that offered a glimpse into the private life and final days of the so-called King of Pop.
The verdict, which concluded that the doctor the company hired to care for the singer was not unfit for his job, capped a sensational five-month trial that was expected to shake up the way entertainment companies treat their most risky talent.
"The jury's decision completely vindicates AEG Live, confirming what we have known from the start - that although Michael Jackson's death was a terrible tragedy, it was not a tragedy of AEG Live's making," defense attorney Marvin Putnam said in a statement following the verdict.
Putnam, who was heckled by Jackson supporters outside the courthouse, said after the trial that AEG Live had never considered settling the case out of court.
Still, the case sent shock waves through the music industry, with concert promoters as well as well-known entertainment insurers expected to beef up policies for acts they insure and potentially raise some prices.
Jackson's 83-year-old mother, Katherine, and his three children sued AEG Live over the singer's 2009 death at age 50 in Los Angeles from an overdose of the surgical anesthetic propofol.
The Jackson family claimed in its lawsuit that AEG Live, the concert division of privately held Anschutz Entertainment Group, negligently hired Conrad Murray as Jackson's personal physician and ignored signs that the "Thriller" singer was in poor health prior to his death.
The family matriarch was in court for the verdict, which came on the fourth day of deliberations, and appeared to be emotional as it was read, lifting her glasses to wipe at her eyes. She smiled briefly as she left the courtroom.
MURRAY WAS 'COMPETENT'
In explaining the verdict outside court, jury foreman Gregg Barden said jurors had concluded that Murray was competent for the job he was hired to do.
"We felt he was competent to do the job of general practitioner," said Barden, who works for the Los Angeles Unified School District. "Now that doesn't mean that we thought he was ethical, and maybe had the word ethical been in the question, it could have been a different outcome."
Juror Kevin Smith, 61, who works for Los Angeles County Department of Public Works, added: "If AEG had known what was going on behind closed doors it would probably have made a world of difference, but they didn't."
Murray, who was caring for Jackson as the singer rehearsed for his series of 50 comeback "This Is It" concerts, was convicted of involuntary manslaughter in 2011 for administering the propofol that killed the star. He is in a California prison and is expected to be released later this month.
Jackson family lawyer Kevin Boyle said outside court that attorneys and the family were "of course not happy" with Wednesday's verdict.
"We will be exploring all options, legally and factually," Boyle said.
Jackson fan Julia Thomas, who has been at the courthouse every day for the past five months, said she thought the jurors did not properly understand the second question on the verdict form, which asked if Murray was "unfit or incompetent to perform the work for which he was hired."
"Most of us are shocked," Thomas said. "It's almost like a dream. I think the question went way over their heads. I think it was a trick question."
FAMILY SOUGHT $1 BILLION IN DAMAGES
Jackson family lawyers had suggested in closing arguments that damages could exceed $1 billion if AEG Live was found liable. AEG Live had argued that it was Jackson who chose Murray as his physician and that it negotiated with the singer to pay Murray $150,000 per month, but only at Jackson's request.
University of Southern California law professor Jody Armour said that the plaintiff's argument that AEG Live disregarded Jackson's health in their pursuit of profits did not persuade the jury.
"The jury decided the case on the notions of personal responsibility, and concluded that Michael Jackson had some responsibility in picking Murray and creating the circumstances surrounding his own death," Armour said.
Several relatives of Jackson testified during the trial, including his mother, eldest son Prince and ex-wife Debbie Rowe.
Rowe, who was married to Jackson from 1996 to 1999, told the court that doctors had competed for Jackson's business and took advantage of the singer's fear of pain by giving him high-powered pain killers.
Rowe said she first grew concerned about Jackson's prescription drug use in the early 1990s after he underwent surgery on his scalp and that she saw the singer use propofol to sleep as early as 1997.
PERSONAL LIVES, LEGAL HEADACHES
Following the case, there also may be some changes in store for the entertainment industry as concert promoters and producers move to insulate themselves legally from stars they work with.
"The thing that is really going to change is the boiler-plate and liability waivers in contracts," said Gary Bongiovanni, editor of concert industry trade magazine Pollstar. "When contracts are written, they're going to be a little more clear."
Jay Gendron, a professor at Southwestern Law School in Los Angeles and former legal affairs executive with Warner Bros film studio, said employers must draw a line in the sand with stars whose personal lives may later become legal headaches.
"At a certain point you just have to say, 'No,' because the risk is too high," Gendron said. "You have to look at your business template and ask, 'Is this something we're willing to risk?'"
Although AEG Live came out a legal victor, the trial did give the company a black eye, said Rich Tullo, the director of research at Albert Fried and Co who follows AEG Live's main competitor, Live Nation Entertainment Inc.
"I really kind of think this (trial) in the long-term benefits Live Nation with the artists," Tullo said.
"This is a people business and this is a bad people thing. Even if this is the doctor Michael Jackson wanted them to hire. ... Just from the optics of it, it looks awful," Tullo added.
"Where it could benefit Live Nation is in a 5 to 10 percent market share increase," he said.
(The story corrects juror name to Gregg Barden from Greg Barden, 9th paragraph.)
(Additional reporting by Steve Gorman, Piya Sinha-Roy, Alex Dobuzinskis and Dan Whitcomb; Writing by Dan Whitcomb and Eric Kelsey; Editing by Cynthia Johnston, Bob Burgdorfer and Lisa Shumaker)
By Tom Heneghan, Religion Editor
PARIS (Reuters) - Hans Kueng, Roman Catholicism's best known rebel theologian, is considering capping a life of challenges to the Vatican with a final act of dissent - assisted suicide.
Kueng, now 85 and suffering from Parkinson's disease, writes in final volume of his memoirs that people have a right to "surrender" their lives to God voluntarily if illness, pain or dementia make further living unbearable.
The Catholic Church rejects assisted suicide, which is allowed in Kueng's native Switzerland as well as Belgium, the Netherlands, Luxembourg and four states in the United States.
"I do not want to live on as a shadow of myself," the Swiss-born priest explained in the book published this week. "I also don't want to be sent off to a nursing home ... If I have to decide myself, please abide by my wish."
Kueng has championed reform of the Catholic Church since its 1962-1965 Second Vatican Council, where he was a young adviser arguing for a decentralized church, married priests and artificial birth control. The Council did not adopt these ideas.
A professor at the German university of Tuebingen since 1960, Kueng was stripped by the Vatican of his license to teach Catholic theology in 1979 after he questioned the doctrine of papal infallibility and ignored Vatican pressure to recant.
The university responded by making him a professor of ecumenical theology, securing him a post from which he wrote dozens of books, some of them best-sellers, and many articles.
NOT LIKE JOHN PAUL OR MUHAMMAD ALI
In the third and final volume of his German-language memoirs, Erlebte Menschlichkeit (Experienced Humanity), Kueng wrote that a sudden death would suit him, since he would not have to decide to take his life.
But if he does have to decide, he said, he does not want to go to a "sad and bleak" assisted suicide center but rather be surrounded by his closest colleagues at his house in Tuebingen or in his Swiss home town of Sursee.
"No person is obligated to suffer the unbearable as something sent from God," he wrote. "People can decide this for themselves and no priest, doctor or judge can stop them."
Such a freely chosen death is not a murder, he argued, but a "surrendering of life" or a "return of life to the hands of the Creator."
Kueng, who writes openly about his Parkinson's and other medical problems in old age, said this death was compatible with his Christian faith because he believed it led to the eternal life promised by Jesus.
He cited the late Pope John Paul's public struggle with Parkinson's and the silent suffering of boxer Muhammed Ali, also afflicted with the disease, as models he did not want to follow.
"How much longer will my life be liveable in dignity?" asked Kueng, who said he still swims daily but is losing his eyesight and his ability to write his books by hand as usual. "A scholar who can no longer read and write - what's next?"
Kueng, who repeatedly criticized the now retired Pope Benedict during his papacy, described Pope Francis as "a ray of hope". He disclosed that the new pontiff had sent him a hand-written note thanking him for books that Kueng sent to Francis after his election in March.
It seems highly unlikely the new pope will include support for assisted suicide among possible Church reforms he was discussing with eight cardinals in Rome on Wednesday.
Speaking in Sardinia in late September, Francis denounced a "throwaway culture" that committed "hidden euthanasia" by neglecting and sidelining old people instead of caring for them.
A spokesman for Rottenburg-Stuttgart diocese, where Tuebingen is located, said Kueng's views on assisted suicide were not Catholic teaching. "Mr Kueng speaks for himself, not for the Church," Uwe Renz told Stuttgart radio SWR.
(Editing by Mark Heinrich)
By Patricia Reaney
NEW YORK (Reuters) - Former Disney star Miley Cyrus says she was out to shock and "make history" and is unapologetic for her raunchy performance at this year's MTV Video Music Awards.
In a documentary, "Miley: The Movement," airing on MTV on October 2, the 20-year-old singer and actress comes across as a shrewd, ambitious performer determined to see her single, "We Can't Stop," hit No. 1 and put her roots as the wholesome Disney Channel star of "Hannah Montana" far behind her.
Cyrus refers to her performance during the August awards show with singer Robin Thicke and an oversized foam finger as a "strategic, hot mess."
The VMA show was "meant to push the boundaries," she says, adding she wanted the act to be memorable along the lines of pop star Britney Spears' kiss with Madonna at the same award show a decade ago.
"That's what you're looking to do, make history."
Spears, who begins a two-year stint in Las Vegas in December at Planet Hollywood Resort and Casino, and other child stars faced personal struggles transitioning to adult careers. But Cyrus sees it as starting as a new artist.
"I felt like I could finally be the bad bitch I really am," she says in the documentary.
Cyrus' appearance - gold fingernails, tattoos and short, platinum hair - is a far cry from her days as the teenage star in "Hannah Montana," which ran from 2006-11.
Reinforcing her image, she posed topless for the cover of the October 12 issue of Rolling Stone magazine and for one of various covers for her album "Bangerz," out October 8. Cyrus also shed her clothes in the music video track of the song "Wrecking Ball."
'SOMETHING THAT NOBODY WAS READY FOR'
The hour-long documentary was shot over about three months before and shortly after the VMAs. It follows Cyrus at home in Los Angeles with her dogs, during appearances to promote "We Can't Stop," and in rehearsals.
The film touches on her childhood with her country singer father, Billy Ray Cyrus, and her mother, Tish. It also includes clips with her idol, Spears, and music collaborators, producer Mike WiLL and rapper and record producer Pharrell Williams, who was featured in Thicke's summer hit, the multimillion-selling single "Blurred Lines."
Notably absent is Cyrus' former fiance, "Hunger Games" actor Liam Hemsworth. Hemsworth, 23, and Cyrus called off their engagement this month, ending a four-year relationship.
"We decided to focus on the music and the professional side," is all that Dave Sirulnick, an executive vice president at MTV and the executive producer of the film, would say about Hemsworth's absence.
At a preview of the film, Sirulnick said the extent of the media reaction to Cyrus' VMA performance surprised everyone.
"As she said, people had this image of her as one thing and then here she came with something that nobody was ready for or expecting," he said.
(Editing by Mary Milliken and Xavier Briand)
By Scott Malone
(Reuters) - Best-selling U.S. author Tom Clancy, who thrilled readers with vivid descriptions of soldiers and spies in novels including "The Hunt for Red October" and "Patriot Games," has died at 66, his publisher said on Wednesday.
Clancy, whose books sold more than 100 million copies, died on Tuesday in his hometown of Baltimore, Maryland, Penguin said.
"I'm deeply saddened by Tom's passing," said David Shanks, a Penguin executive who had worked with Clancy from the start of his writing career through the upcoming "Command Authority," which is due out in December.
"He was a consummate author, creating the modern-day thriller, and was one of the most visionary storytellers of our time. I will miss him dearly and he will be missed by tens of millions of readers worldwide," he said.
Clancy died at Johns Hopkins Hospital. The cause of death was not immediately disclosed.
His works closely tracked Americans' security fears, moving from Cold War face-offs to terrorist attacks and both fascinated readers with their high-stakes plots and enthralled military experts with their precise details.
The books also inspired Hollywood blockbuster films including "Clear and Present Danger," starring Harrison Ford, and a series of video games, published by Ubisoft Entertainment SA.
Ford and actors Alec Baldwin and Ben Affleck played Jack Ryan, one of Clancy's most famous characters, on the big screen.
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Best-selling author Tom Clancy has died at age 66.
"Spending time with Tom prior to shooting was the best part of that whole experience for me," said Baldwin, who starred in 1990's "The Hunt for Red October."
"Tom was smart, a great story teller and a real gentleman."
Clancy's career also benefited from fans within Washington power circles. His 1984 debut "The Hunt for Red October," the account of a rogue naval commander on a nuclear-armed Soviet submarine, won praise from then-president Ronald Reagan, who declared it a good "yarn."
In total, Clancy published 25 fiction and non-fiction books, which also included "The Sum of All Fears" and "Rainbow Six." Later books moved on from the Cold War to deal with terrorism and friction between the United States and China.
FANS IN UNIFORM
The detail of Clancy's novels sometimes raised eyebrows in the intelligence community. According to The New York Times, in a 1986 interview, Clancy recalled meeting Navy Secretary John Lehman whose first question about "Red October" was "Who the hell cleared it?"
But the accurate description of the U.S. military won him fans in uniform.
"His earlier books were ones that had great following in the military because of their accuracy," said Tad Oelstrom, a retired U.S. Air Force lieutenant-general, who now serves as director of the national security program at Harvard University.
Oelstrom recalled meeting Clancy at a dinner in 1999 at the U.S. Air Force Academy in Colorado Springs. Even at the height of his fame, when surrounded by high-ranking fliers telling war stories, Clancy was a careful listener, Oelstrom said.
"My suspicion is he was soaking up as much as he was giving, just because of the stories that were being told about the Vietnam era," Oelstrom said.
His most recent book, "Threat Vector," debuted at the top of the Publishers Weekly bestseller list in December 2012. His publisher is a unit of Britain's Pearson PLC.
Clancy's next book, "Command Authority," is due to be published on December 3.
Clancy is survived by his wife Alexandra Llewellyn Clancy and their daughter Alexis Jacqueline Page Clancy, and four children from a previous marriage to Wanda King, including Michelle Bandy, Christine Blocksidge, Kathleen Clancy and Thomas Clancy 3rd.
Clancy grew up in Baltimore and in 1969 graduated from Loyola University in Maryland. He worked as an insurance broker before selling his first novel. He was also a part owner of the Baltimore Orioles baseball team.
In a 1992 interview with The Baltimore Sun, he attributed much of his success to being "lucky," saying that he had a normal middle-class American upbringing.
"I was a little nerdy but a completely normal kid," Clancy told the newspaper. "Mom and Dad loved each other. It was like 'Leave it to Beaver.'"
(Reporting by Scott Malone; Additional reporting by Patricia Reaney; Editing by Diane Craft, Toni Reinhold)
By Andrea Burzynski
NEW YORK (Reuters) - Actress Halle Berry gave birth to a baby boy on Saturday, her representative confirmed to Reuters.
The baby is Berry's second child and her first with French actor Olivier Martinez. Berry and Martinez, both 47, married in July. Berry has a five-year-old daughter, Nahla, with Canadian model Gabriel Aubry.
Berry's representative declined to give further details.
A former model, Berry has appeared in over 30 films, and won a Best Actress Oscar in 2001 for her role in the drama "Monster's Ball," becoming the first and only African-American woman to win an Oscar for a leading role.
She will reprise her role as Storm in "X-Men: Days of Future Past" when the film hits theaters in May of 2014.
Berry was previously married to baseball player David Justice and R&B singer Eric Benet, and had a five-year relationship with Aubry that ended in 2010.
She and Aubry reached a custody agreement in November 2012 after a bitter public battle over their daughter.
(Reporting By Andrea Burzynski; Editing by Eric Walsh)
By Tom Heneghan
PARIS (Reuters) - The French theatre, opera and film director Patrice Chereau, who mounted one of the most famous productions of Richard Wagner's "Ring" cycle in Bayreuth in the 1970s, has died at the age of 68.
Chereau, who was preparing a production of Shakespeare's "As You Like It" when he succumbed to lung cancer, was a restless innovator who began directing at high school in Paris and never looked back.
His last work, a production of Richard Strauss's opera "Elektra" in Aix-en-Provence, France in July, won wild plaudits and critical acclaim for the way it brought out new depths in the tragic characters.
"One of the greatest French artists has just died," President Francois Hollande said of Chereau after his death was reported by newspaper Liberation. "France has lost an artist of universal proportions who made it proud around the world."
The Paris daily Le Monde said: "Few men and few artists have lived as intensely and left such a towering legacy. There were all the directors in one category, and then Patrice Chereau."
The son of struggling artists, Chereau began his career in the mid-1960s directing a Paris theatre with a strong left-wing political bent. In 1969, he went to work at Milan's Piccolo Teatro with the Italian director Giorgio Strehler.
By 1971, he was back in France, this time in Lyon, where his "violent, virulent and sumptuous theatre" presentations, as the Paris daily Liberation put it, built his reputation further.
Then in 1976, when the French conductor Pierre Boulez asked him to direct Wagner's "Ring" cycle of operas at the legendary festival in Bayreuth, Chereau made his unforgettable debut on the international opera scene.
His adaptation of Wagner's Nordic myths as a 19th-century drama of capitalist exploitation of workers met with raucous boos at its debut. But at the end of its final presentation in 1980, the audience saluted him with an hour and a half of exuberant applause.
"We always worked together with a lot of passion," Boulez said after learning that Chereau, whom he called "the only director I wanted to work with", had died.
"What made his work stand out was the extreme precision with which he created a character out of the slightest figure," he told Le Monde. "I always felt confident with Chereau - when he wanted to try something out, I always told him 'yes'."
Chereau also turned his talents to the cinema, producing films while he also worked in theatre and opera. His first efforts in the 1970s were not critically acclaimed.
But he won a Cesar, the French equivalent of the Oscars, for best screenplay in 1983 for "L'homme blesse" (The Wounded Man).
In 1994, his film "La Reine Margot" (Queen Margot) won the Jury Prize and best actress prizes at the Cannes festival. Five Cesars followed the next year.
His 2001 film "Intimite" (Intimacy) won the Golden Bear for best film at the Berlin Film Festival.
Chereau credited his parents with stirring his interest in art, especially drawing. "I knew at 15 I wanted to do theatre," he once said. "It came from drawing. I read texts and I drew."
At high school, he designed sets for the plays he directed. He also studied German and classical literature, two influences that showed through his career as he chose both modern German and ancient Greek dramas for his productions.
Reflecting on his tendency to try his hand at various forms of his art, he said: "I'd go crazy if I thought I was doing three different jobs. I know I'm only doing one."
(Reporting By Tom Heneghan; editing by Michael Roddy and Tom Pfeiffer)
(Reuters) - Actor Tom Hanks has said that he has been diagnosed with type 2 diabetes, the most common form of the metabolic disease.
Hanks, 57, told late night talk show host David Letterman on Monday that he had been battling high blood sugar for some time.
"I went to the doctor, and he said, 'You know those high blood-sugar numbers you've been dealing with since you were 36? Well, you've graduated! You've got type 2 diabetes, young man,'" Hanks said on CBS network's "Late Show with David Letterman."
"It's controllable," said Hanks, who was on the show to promote his upcoming film "Captain Phillips."
"Something's going to kill us all, Dave," the Oscar-winning actor said, joking with the host.
Type 2 diabetes affects the body by either not producing enough insulin, the hormone that turns sugar into energy, or by resisting insulin.
It affects about 24 million Americans and accounts for the more than 90 percent of diabetes cases diagnosed in the United States, according to the U.S. Food and Drug Administration. It can be life-threatening if not treated.
(Reporting by Eric Kelsey; editing by Jackie Frank)
By Eric Kelsey
LOS ANGELES (Reuters) - A Southern California plastic surgeon said on Wednesday he is behind the auction of a physician's notes that shows actress Marilyn Monroe had undergone cosmetic surgery, and he will donate the proceeds to assist U.S. veterans with medical work.
Norman Leaf, who had previously requested anonymity, told Reuters that interest in the auction of the notes along with a set of X-rays caused him to come forward.
The set of six X-rays and the file of doctors' notes offer a partial medical history of the Hollywood sex symbol from 1950 to 1962 and are expected to fetch between $15,000 and $30,000.
The auction will be held on November 9-10 by Julien's Auctions, a Beverly Hills, California, auction house.
The notes were written by plastic surgeon Michael Gurdin and confirm speculation that Monroe, who epitomized Hollywood glamour and set a standard of big-screen beauty in the 1950s, went under the knife for cosmetic reasons.
"They had put a chin implant in and it was made of carved bovine cartilage," Leaf said of Monroe's 1950 cosmetic surgery. "They didn't have silicone chin implants in those days."
Monroe's biggest films, such as 1953's "How to Marry a Millionaire," 1955's "The Seven Year Itch" and 1959's "Some Like It Hot," were all shot after 1950.
Leaf, 72, added that the "Gentlemen Prefer Blondes" actress also underwent a small cosmetic procedure on the tip of her nose at that time too.
Gurdin's notes indicate that Monroe visited him in 1958 complaining of a chin deformity and he noticed the implant had dissolved.
"As what typically happens with that. It absorbed over the years," Leaf said.
The X-rays are dated June 7, 1962, after Monroe saw Gurdin following a late night fall and two months before the actress would die at age 36 from an overdose of barbiturates.
Leaf, who began a medical partnership in Beverly Hills with Gurdin in 1975, said he did not know he was in possession of the files until about 20 years ago, when he was made aware of Gurdin's old charts that were hidden away storage.
"I've been looking at it and treasuring it and keeping it under lock and key and hidden away in my safe," Leaf said of Monroe's files and X-rays.
Proceeds from the sale will be donated to nonprofit foundation Rebuilding America's Warriors, which helps U.S. veterans receive free reconstructive surgery on injuries that are not covered by government benefits, said Leaf, who is the foundation's medical director.
"I think it's the perfect link because Marilyn entertained the troops in Korea (in the 1950s), so this is a chance for her to help the troops out again," Leaf said.
Leaf self-published a memoir, "Are Those Real? True Tales of Plastic Surgery from Beverly Hills," in 2010 in which he detailed Gurdin's notes on Monroe.
(Reporting by Eric Kelsey; Editing by Piya Sinha-Roy and Andre Grenon)
By Tom Heneghan
PARIS (Reuters) - The French theatre, opera and film director Patrice Chereau, who mounted one of the most famous productions of Richard Wagner's "Ring" cycle in Bayreuth in the 1970s, has died at the age of 68.
Chereau, who was preparing a production of Shakespeare's "As You Like It" when he succumbed to lung cancer, was a restless innovator who began directing at high school in Paris and never looked back.
His last work, a production of Richard Strauss's opera "Elektra" in Aix-en-Provence, France in July, won wild plaudits and critical acclaim for the way it brought out new depths in the tragic characters.
"One of the greatest French artists has just died," President Francois Hollande said of Chereau after his death was reported by newspaper Liberation. "France has lost an artist of universal proportions who made it proud around the world."
The Paris daily Le Monde said: "Few men and few artists have lived as intensely and left such a towering legacy. There were all the directors in one category, and then Patrice Chereau."
The son of struggling artists, Chereau began his career in the mid-1960s directing a Paris theatre with a strong left-wing political bent. In 1969, he went to work at Milan's Piccolo Teatro with the Italian director Giorgio Strehler.
By 1971, he was back in France, this time in Lyon, where his "violent, virulent and sumptuous theatre" presentations, as the Paris daily Liberation put it, built his reputation further.
Then in 1976, when the French conductor Pierre Boulez asked him to direct Wagner's "Ring" cycle of operas at the legendary festival in Bayreuth, Chereau made his unforgettable debut on the international opera scene.
His adaptation of Wagner's Nordic myths as a 19th-century drama of capitalist exploitation of workers met with raucous boos at its debut. But at the end of its final presentation in 1980, the audience saluted him with an hour and a half of exuberant applause.
"We always worked together with a lot of passion," Boulez said after learning that Chereau, whom he called "the only director I wanted to work with", had died.
"What made his work stand out was the extreme precision with which he created a character out of the slightest figure," he told Le Monde. "I always felt confident with Chereau - when he wanted to try something out, I always told him 'yes'."
Chereau also turned his talents to the cinema, producing films while he also worked in theatre and opera. His first efforts in the 1970s were not critically acclaimed.
But he won a Cesar, the French equivalent of the Oscars, for best screenplay in 1983 for "L'homme blesse" (The Wounded Man).
In 1994, his film "La Reine Margot" (Queen Margot) won the Jury Prize and best actress prizes at the Cannes festival. Five Cesars followed the next year.
His 2001 film "Intimite" (Intimacy) won the Golden Bear for best film at the Berlin Film Festival.
Chereau credited his parents with stirring his interest in art, especially drawing. "I knew at 15 I wanted to do theatre," he once said. "It came from drawing. I read texts and I drew."
At high school, he designed sets for the plays he directed. He also studied German and classical literature, two influences that showed through his career as he chose both modern German and ancient Greek dramas for his productions.
Reflecting on his tendency to try his hand at various forms of his art, he said: "I'd go crazy if I thought I was doing three different jobs. I know I'm only doing one."
(Reporting By Tom Heneghan; editing by Michael Roddy and Tom Pfeiffer)
By Andrea Burzynski
NEW YORK (Reuters) - Actress Halle Berry gave birth to a baby boy on Saturday, her representative confirmed to Reuters.
The baby is Berry's second child and her first with French actor Olivier Martinez. Berry and Martinez, both 47, married in July. Berry has a five-year-old daughter, Nahla, with Canadian model Gabriel Aubry.
Berry's representative declined to give further details.
A former model, Berry has appeared in over 30 films, and won a Best Actress Oscar in 2001 for her role in the drama "Monster's Ball," becoming the first and only African-American woman to win an Oscar for a leading role.
She will reprise her role as Storm in "X-Men: Days of Future Past" when the film hits theaters in May of 2014.
Berry was previously married to baseball player David Justice and R&B singer Eric Benet, and had a five-year relationship with Aubry that ended in 2010.
She and Aubry reached a custody agreement in November 2012 after a bitter public battle over their daughter.
(Reporting By Andrea Burzynski; Editing by Eric Walsh)
By Scott Malone
(Reuters) - Best-selling U.S. author Tom Clancy, who thrilled readers with vivid descriptions of soldiers and spies in novels including "The Hunt for Red October" and "Patriot Games," has died at 66, his publisher said on Wednesday.
Clancy, whose books sold more than 100 million copies, died on Tuesday in his hometown of Baltimore, Maryland, Penguin said.
"I'm deeply saddened by Tom's passing," said David Shanks, a Penguin executive who had worked with Clancy from the start of his writing career through the upcoming "Command Authority," which is due out in December.
"He was a consummate author, creating the modern-day thriller, and was one of the most visionary storytellers of our time. I will miss him dearly and he will be missed by tens of millions of readers worldwide," he said.
Clancy died at Johns Hopkins Hospital. The cause of death was not immediately disclosed.
His works closely tracked Americans' security fears, moving from Cold War face-offs to terrorist attacks and both fascinated readers with their high-stakes plots and enthralled military experts with their precise details.
The books also inspired Hollywood blockbuster films including "Clear and Present Danger," starring Harrison Ford, and a series of video games, published by Ubisoft Entertainment SA.
Ford and actors Alec Baldwin and Ben Affleck played Jack Ryan, one of Clancy's most famous characters, on the big screen.
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Best-selling author Tom Clancy has died at age 66.
"Spending time with Tom prior to shooting was the best part of that whole experience for me," said Baldwin, who starred in 1990's "The Hunt for Red October."
"Tom was smart, a great story teller and a real gentleman."
Clancy's career also benefited from fans within Washington power circles. His 1984 debut "The Hunt for Red October," the account of a rogue naval commander on a nuclear-armed Soviet submarine, won praise from then-president Ronald Reagan, who declared it a good "yarn."
In total, Clancy published 25 fiction and non-fiction books, which also included "The Sum of All Fears" and "Rainbow Six." Later books moved on from the Cold War to deal with terrorism and friction between the United States and China.
FANS IN UNIFORM
The detail of Clancy's novels sometimes raised eyebrows in the intelligence community. According to The New York Times, in a 1986 interview, Clancy recalled meeting Navy Secretary John Lehman whose first question about "Red October" was "Who the hell cleared it?"
But the accurate description of the U.S. military won him fans in uniform.
"His earlier books were ones that had great following in the military because of their accuracy," said Tad Oelstrom, a retired U.S. Air Force lieutenant-general, who now serves as director of the national security program at Harvard University.
Oelstrom recalled meeting Clancy at a dinner in 1999 at the U.S. Air Force Academy in Colorado Springs. Even at the height of his fame, when surrounded by high-ranking fliers telling war stories, Clancy was a careful listener, Oelstrom said.
"My suspicion is he was soaking up as much as he was giving, just because of the stories that were being told about the Vietnam era," Oelstrom said.
His most recent book, "Threat Vector," debuted at the top of the Publishers Weekly bestseller list in December 2012. His publisher is a unit of Britain's Pearson PLC.
Clancy's next book, "Command Authority," is due to be published on December 3.
Clancy is survived by his wife Alexandra Llewellyn Clancy and their daughter Alexis Jacqueline Page Clancy, and four children from a previous marriage to Wanda King, including Michelle Bandy, Christine Blocksidge, Kathleen Clancy and Thomas Clancy 3rd.
Clancy grew up in Baltimore and in 1969 graduated from Loyola University in Maryland. He worked as an insurance broker before selling his first novel. He was also a part owner of the Baltimore Orioles baseball team.
In a 1992 interview with The Baltimore Sun, he attributed much of his success to being "lucky," saying that he had a normal middle-class American upbringing.
"I was a little nerdy but a completely normal kid," Clancy told the newspaper. "Mom and Dad loved each other. It was like 'Leave it to Beaver.'"
(Reporting by Scott Malone; Additional reporting by Patricia Reaney; Editing by Diane Craft, Toni Reinhold)
By Patricia Reaney
NEW YORK (Reuters) - Former Disney star Miley Cyrus says she was out to shock and "make history" and is unapologetic for her raunchy performance at this year's MTV Video Music Awards.
In a documentary, "Miley: The Movement," airing on MTV on October 2, the 20-year-old singer and actress comes across as a shrewd, ambitious performer determined to see her single, "We Can't Stop," hit No. 1 and put her roots as the wholesome Disney Channel star of "Hannah Montana" far behind her.
Cyrus refers to her performance during the August awards show with singer Robin Thicke and an oversized foam finger as a "strategic, hot mess."
The VMA show was "meant to push the boundaries," she says, adding she wanted the act to be memorable along the lines of pop star Britney Spears' kiss with Madonna at the same award show a decade ago.
"That's what you're looking to do, make history."
Spears, who begins a two-year stint in Las Vegas in December at Planet Hollywood Resort and Casino, and other child stars faced personal struggles transitioning to adult careers. But Cyrus sees it as starting as a new artist.
"I felt like I could finally be the bad bitch I really am," she says in the documentary.
Cyrus' appearance - gold fingernails, tattoos and short, platinum hair - is a far cry from her days as the teenage star in "Hannah Montana," which ran from 2006-11.
Reinforcing her image, she posed topless for the cover of the October 12 issue of Rolling Stone magazine and for one of various covers for her album "Bangerz," out October 8. Cyrus also shed her clothes in the music video track of the song "Wrecking Ball."
'SOMETHING THAT NOBODY WAS READY FOR'
The hour-long documentary was shot over about three months before and shortly after the VMAs. It follows Cyrus at home in Los Angeles with her dogs, during appearances to promote "We Can't Stop," and in rehearsals.
The film touches on her childhood with her country singer father, Billy Ray Cyrus, and her mother, Tish. It also includes clips with her idol, Spears, and music collaborators, producer Mike WiLL and rapper and record producer Pharrell Williams, who was featured in Thicke's summer hit, the multimillion-selling single "Blurred Lines."
Notably absent is Cyrus' former fiance, "Hunger Games" actor Liam Hemsworth. Hemsworth, 23, and Cyrus called off their engagement this month, ending a four-year relationship.
"We decided to focus on the music and the professional side," is all that Dave Sirulnick, an executive vice president at MTV and the executive producer of the film, would say about Hemsworth's absence.
At a preview of the film, Sirulnick said the extent of the media reaction to Cyrus' VMA performance surprised everyone.
"As she said, people had this image of her as one thing and then here she came with something that nobody was ready for or expecting," he said.
(Editing by Mary Milliken and Xavier Briand)
By Jonathan Stempel
NEW YORK (Reuters) - Sheldon Adelson, the billionaire casino magnate and prominent Republican donor, has lost a $60 million libel lawsuit in which he claimed a Democratic group spread a false accusation that he had condoned prostitution in his casinos in Macau.
At issue was an article published on July 3, 2012 by the National Jewish Democratic Council (NJDC) on its website that sought to dissuade then-presidential candidate Mitt Romney and other Republicans from accepting Adelson's allegedly "dirty" and "tainted" money.
It cited reports about an accusation that the Las Vegas Sands Corp chief executive "personally approved of prostitution" in his Macau properties.
U.S. District Judge J. Paul Oetken in Manhattan on Monday said the article constituted protected speech and was not libelous.
The accusation, which Adelson has denied, had surfaced in a wrongful termination lawsuit against him by fired Las Vegas Sands executive Steven Jacobs. It was discussed in an Associated Press article about that lawsuit, to which the NJDC provided a hyperlink in its article online.
L. Lin Wood, a lawyer for Adelson, in an emailed statement said the decision denies his client "the basic right of trial by jury," and that an appeal is likely. He also said Las Vegas Sands has a "no tolerance" policy for prostitution.
"The statement by the National Jewish Democratic Council at issue in this case remains a boldfaced lie," said Wood, a partner at Wood, Hernacki & Evans in Atlanta.
Adelson, 80, is worth $28.5 billion and the 11th-richest American, Forbes magazine said this month, and had donated tens of millions of dollars to Republican candidates and organizations in the 2012 election cycle.
He claimed that the NJDC article was intended to advance the group's political interests by "assassinating" his character.
But in a 57-page decision, Oetken said Adelson failed to show that the defendants, which also included NJDC Chairman Marc Stanley and former NJDC President David Harris, acted with actual malice or reckless disregard of the truth.
The judge said the expressions "dirty money" and "tainted money" were imprecise and could not be proven true or false, and in context constituted protected expressions of opinion.
He also said the use of the hyperlink was proper, and that the defendant's reliance upon an article from a "reputable" news organization precluded a finding of liability.
"Protecting defendants who hyperlink to their sources is good public policy, as it fosters the facile dissemination of knowledge on the Internet," Oetken wrote. "It is to be expected, and celebrated, that the increasing access to information should decrease the need for defamation suits."
Adelson had sought $10 million of compensatory damages and $50 million of punitive damages. Oetken also ordered him to pay the defendants' legal fees.
In a phone interview, Stanley said he was pleased with the decision. "You just can't bully people with your money, and Adelson was trying to bully us with a lawsuit to suppress our speech during the election," he said. "David beat Goliath."
The case is Adelson v. Harris et al, U.S. District Court, Southern District of New York, No. 12-06052.
(Reporting by Jonathan Stempel in New York; Editing by Nick Zieminski)
By Eric Kelsey and Dana Feldman
LOS ANGELES (Reuters) - A Los Angeles jury cleared concert promoter AEG Live of liability on Wednesday in a wrongful death lawsuit brought by the family of Michael Jackson, in a trial that offered a glimpse into the private life and final days of the so-called King of Pop.
The verdict, which concluded that the doctor the company hired to care for the singer was not unfit for his job, capped a sensational five-month trial that was expected to shake up the way entertainment companies treat their most risky talent.
"The jury's decision completely vindicates AEG Live, confirming what we have known from the start - that although Michael Jackson's death was a terrible tragedy, it was not a tragedy of AEG Live's making," defense attorney Marvin Putnam said in a statement following the verdict.
Putnam, who was heckled by Jackson supporters outside the courthouse, said after the trial that AEG Live had never considered settling the case out of court.
Still, the case sent shock waves through the music industry, with concert promoters as well as well-known entertainment insurers expected to beef up policies for acts they insure and potentially raise some prices.
Jackson's 83-year-old mother, Katherine, and his three children sued AEG Live over the singer's 2009 death at age 50 in Los Angeles from an overdose of the surgical anesthetic propofol.
The Jackson family claimed in its lawsuit that AEG Live, the concert division of privately held Anschutz Entertainment Group, negligently hired Conrad Murray as Jackson's personal physician and ignored signs that the "Thriller" singer was in poor health prior to his death.
The family matriarch was in court for the verdict, which came on the fourth day of deliberations, and appeared to be emotional as it was read, lifting her glasses to wipe at her eyes. She smiled briefly as she left the courtroom.
MURRAY WAS 'COMPETENT'
In explaining the verdict outside court, jury foreman Gregg Barden said jurors had concluded that Murray was competent for the job he was hired to do.
"We felt he was competent to do the job of general practitioner," said Barden, who works for the Los Angeles Unified School District. "Now that doesn't mean that we thought he was ethical, and maybe had the word ethical been in the question, it could have been a different outcome."
Juror Kevin Smith, 61, who works for Los Angeles County Department of Public Works, added: "If AEG had known what was going on behind closed doors it would probably have made a world of difference, but they didn't."
Murray, who was caring for Jackson as the singer rehearsed for his series of 50 comeback "This Is It" concerts, was convicted of involuntary manslaughter in 2011 for administering the propofol that killed the star. He is in a California prison and is expected to be released later this month.
Jackson family lawyer Kevin Boyle said outside court that attorneys and the family were "of course not happy" with Wednesday's verdict.
"We will be exploring all options, legally and factually," Boyle said.
Jackson fan Julia Thomas, who has been at the courthouse every day for the past five months, said she thought the jurors did not properly understand the second question on the verdict form, which asked if Murray was "unfit or incompetent to perform the work for which he was hired."
"Most of us are shocked," Thomas said. "It's almost like a dream. I think the question went way over their heads. I think it was a trick question."
FAMILY SOUGHT $1 BILLION IN DAMAGES
Jackson family lawyers had suggested in closing arguments that damages could exceed $1 billion if AEG Live was found liable. AEG Live had argued that it was Jackson who chose Murray as his physician and that it negotiated with the singer to pay Murray $150,000 per month, but only at Jackson's request.
University of Southern California law professor Jody Armour said that the plaintiff's argument that AEG Live disregarded Jackson's health in their pursuit of profits did not persuade the jury.
"The jury decided the case on the notions of personal responsibility, and concluded that Michael Jackson had some responsibility in picking Murray and creating the circumstances surrounding his own death," Armour said.
Several relatives of Jackson testified during the trial, including his mother, eldest son Prince and ex-wife Debbie Rowe.
Rowe, who was married to Jackson from 1996 to 1999, told the court that doctors had competed for Jackson's business and took advantage of the singer's fear of pain by giving him high-powered pain killers.
Rowe said she first grew concerned about Jackson's prescription drug use in the early 1990s after he underwent surgery on his scalp and that she saw the singer use propofol to sleep as early as 1997.
PERSONAL LIVES, LEGAL HEADACHES
Following the case, there also may be some changes in store for the entertainment industry as concert promoters and producers move to insulate themselves legally from stars they work with.
"The thing that is really going to change is the boiler-plate and liability waivers in contracts," said Gary Bongiovanni, editor of concert industry trade magazine Pollstar. "When contracts are written, they're going to be a little more clear."
Jay Gendron, a professor at Southwestern Law School in Los Angeles and former legal affairs executive with Warner Bros film studio, said employers must draw a line in the sand with stars whose personal lives may later become legal headaches.
"At a certain point you just have to say, 'No,' because the risk is too high," Gendron said. "You have to look at your business template and ask, 'Is this something we're willing to risk?'"
Although AEG Live came out a legal victor, the trial did give the company a black eye, said Rich Tullo, the director of research at Albert Fried and Co who follows AEG Live's main competitor, Live Nation Entertainment Inc.
"I really kind of think this (trial) in the long-term benefits Live Nation with the artists," Tullo said.
"This is a people business and this is a bad people thing. Even if this is the doctor Michael Jackson wanted them to hire. ... Just from the optics of it, it looks awful," Tullo added.
"Where it could benefit Live Nation is in a 5 to 10 percent market share increase," he said.
(The story corrects juror name to Gregg Barden from Greg Barden, 9th paragraph.)
(Additional reporting by Steve Gorman, Piya Sinha-Roy, Alex Dobuzinskis and Dan Whitcomb; Writing by Dan Whitcomb and Eric Kelsey; Editing by Cynthia Johnston, Bob Burgdorfer and Lisa Shumaker)
By Tom Heneghan, Religion Editor
PARIS (Reuters) - Hans Kueng, Roman Catholicism's best known rebel theologian, is considering capping a life of challenges to the Vatican with a final act of dissent - assisted suicide.
Kueng, now 85 and suffering from Parkinson's disease, writes in final volume of his memoirs that people have a right to "surrender" their lives to God voluntarily if illness, pain or dementia make further living unbearable.
The Catholic Church rejects assisted suicide, which is allowed in Kueng's native Switzerland as well as Belgium, the Netherlands, Luxembourg and four states in the United States.
"I do not want to live on as a shadow of myself," the Swiss-born priest explained in the book published this week. "I also don't want to be sent off to a nursing home ... If I have to decide myself, please abide by my wish."
Kueng has championed reform of the Catholic Church since its 1962-1965 Second Vatican Council, where he was a young adviser arguing for a decentralized church, married priests and artificial birth control. The Council did not adopt these ideas.
A professor at the German university of Tuebingen since 1960, Kueng was stripped by the Vatican of his license to teach Catholic theology in 1979 after he questioned the doctrine of papal infallibility and ignored Vatican pressure to recant.
The university responded by making him a professor of ecumenical theology, securing him a post from which he wrote dozens of books, some of them best-sellers, and many articles.
NOT LIKE JOHN PAUL OR MUHAMMAD ALI
In the third and final volume of his German-language memoirs, Erlebte Menschlichkeit (Experienced Humanity), Kueng wrote that a sudden death would suit him, since he would not have to decide to take his life.
But if he does have to decide, he said, he does not want to go to a "sad and bleak" assisted suicide center but rather be surrounded by his closest colleagues at his house in Tuebingen or in his Swiss home town of Sursee.
"No person is obligated to suffer the unbearable as something sent from God," he wrote. "People can decide this for themselves and no priest, doctor or judge can stop them."
Such a freely chosen death is not a murder, he argued, but a "surrendering of life" or a "return of life to the hands of the Creator."
Kueng, who writes openly about his Parkinson's and other medical problems in old age, said this death was compatible with his Christian faith because he believed it led to the eternal life promised by Jesus.
He cited the late Pope John Paul's public struggle with Parkinson's and the silent suffering of boxer Muhammed Ali, also afflicted with the disease, as models he did not want to follow.
"How much longer will my life be liveable in dignity?" asked Kueng, who said he still swims daily but is losing his eyesight and his ability to write his books by hand as usual. "A scholar who can no longer read and write - what's next?"
Kueng, who repeatedly criticized the now retired Pope Benedict during his papacy, described Pope Francis as "a ray of hope". He disclosed that the new pontiff had sent him a hand-written note thanking him for books that Kueng sent to Francis after his election in March.
It seems highly unlikely the new pope will include support for assisted suicide among possible Church reforms he was discussing with eight cardinals in Rome on Wednesday.
Speaking in Sardinia in late September, Francis denounced a "throwaway culture" that committed "hidden euthanasia" by neglecting and sidelining old people instead of caring for them.
A spokesman for Rottenburg-Stuttgart diocese, where Tuebingen is located, said Kueng's views on assisted suicide were not Catholic teaching. "Mr Kueng speaks for himself, not for the Church," Uwe Renz told Stuttgart radio SWR.
(Editing by Mark Heinrich)
(Reuters) - American actress Scarlett Johansson has been named the sexiest woman alive for the second time by Esquire, the men's lifestyle magazine said on Monday.
"The Avengers" star was named sexiest woman in 2006 and is the only woman to have been given the title twice by the publication. The annual recipient of the title is chosen by Esquire editors.
Husky-voiced Johansson, who rose to prominence as a teenager in the 2001 cult film "Ghost World," stars in three films this fall. In "Don Jon" she plays the girlfriend of a pornography addict and in the sci-fi thriller "Under the Skin" she is a seductive extraterrestrial. She voices a man's computer companion in "Her."
"You know, I gotta hustle," Johansson told the magazine of her busy work schedule. "I'm a 28-year-old woman in the movie business, right? Pretty soon the roles you're offered all become mothers. Then they just sort of stop."
Johansson said last month she was engaged to marry French journalist Romain Dauriac. Her previous marriage to actor Ryan Reynolds ended in 2011 after three years.
Last year's sexiest woman, according to Esquire, was American actress Mila Kunis. Barbadian pop singer Rihanna, British actress Kate Beckinsale and South African actress Charlize Theron have all been given the "sexiest" distinction by the magazine.
(Reporting by Eric Kelsey in Los Angeles; Editing by Piya Sinha-Roy and Bill Trott)
(Reuters) - Actor Tom Hanks has said that he has been diagnosed with type 2 diabetes, the most common form of the metabolic disease.
Hanks, 57, told late night talk show host David Letterman on Monday that he had been battling high blood sugar for some time.
"I went to the doctor, and he said, 'You know those high blood-sugar numbers you've been dealing with since you were 36? Well, you've graduated! You've got type 2 diabetes, young man,'" Hanks said on CBS network's "Late Show with David Letterman."
"It's controllable," said Hanks, who was on the show to promote his upcoming film "Captain Phillips."
"Something's going to kill us all, Dave," the Oscar-winning actor said, joking with the host.
Type 2 diabetes affects the body by either not producing enough insulin, the hormone that turns sugar into energy, or by resisting insulin.
It affects about 24 million Americans and accounts for the more than 90 percent of diabetes cases diagnosed in the United States, according to the U.S. Food and Drug Administration. It can be life-threatening if not treated.
(Reporting by Eric Kelsey; editing by Jackie Frank)
By Eric Kelsey
LOS ANGELES (Reuters) - A Southern California plastic surgeon said on Wednesday he is behind the auction of a physician's notes that shows actress Marilyn Monroe had undergone cosmetic surgery, and he will donate the proceeds to assist U.S. veterans with medical work.
Norman Leaf, who had previously requested anonymity, told Reuters that interest in the auction of the notes along with a set of X-rays caused him to come forward.
The set of six X-rays and the file of doctors' notes offer a partial medical history of the Hollywood sex symbol from 1950 to 1962 and are expected to fetch between $15,000 and $30,000.
The auction will be held on November 9-10 by Julien's Auctions, a Beverly Hills, California, auction house.
The notes were written by plastic surgeon Michael Gurdin and confirm speculation that Monroe, who epitomized Hollywood glamour and set a standard of big-screen beauty in the 1950s, went under the knife for cosmetic reasons.
"They had put a chin implant in and it was made of carved bovine cartilage," Leaf said of Monroe's 1950 cosmetic surgery. "They didn't have silicone chin implants in those days."
Monroe's biggest films, such as 1953's "How to Marry a Millionaire," 1955's "The Seven Year Itch" and 1959's "Some Like It Hot," were all shot after 1950.
Leaf, 72, added that the "Gentlemen Prefer Blondes" actress also underwent a small cosmetic procedure on the tip of her nose at that time too.
Gurdin's notes indicate that Monroe visited him in 1958 complaining of a chin deformity and he noticed the implant had dissolved.
"As what typically happens with that. It absorbed over the years," Leaf said.
The X-rays are dated June 7, 1962, after Monroe saw Gurdin following a late night fall and two months before the actress would die at age 36 from an overdose of barbiturates.
Leaf, who began a medical partnership in Beverly Hills with Gurdin in 1975, said he did not know he was in possession of the files until about 20 years ago, when he was made aware of Gurdin's old charts that were hidden away storage.
"I've been looking at it and treasuring it and keeping it under lock and key and hidden away in my safe," Leaf said of Monroe's files and X-rays.
Proceeds from the sale will be donated to nonprofit foundation Rebuilding America's Warriors, which helps U.S. veterans receive free reconstructive surgery on injuries that are not covered by government benefits, said Leaf, who is the foundation's medical director.
"I think it's the perfect link because Marilyn entertained the troops in Korea (in the 1950s), so this is a chance for her to help the troops out again," Leaf said.
Leaf self-published a memoir, "Are Those Real? True Tales of Plastic Surgery from Beverly Hills," in 2010 in which he detailed Gurdin's notes on Monroe.
(Reporting by Eric Kelsey; Editing by Piya Sinha-Roy and Andre Grenon)
(Reuters) - American actress Scarlett Johansson has been named the sexiest woman alive for the second time by Esquire, the men's lifestyle magazine said on Monday.
"The Avengers" star was named sexiest woman in 2006 and is the only woman to have been given the title twice by the publication. The annual recipient of the title is chosen by Esquire editors.
Husky-voiced Johansson, who rose to prominence as a teenager in the 2001 cult film "Ghost World," stars in three films this fall. In "Don Jon" she plays the girlfriend of a pornography addict and in the sci-fi thriller "Under the Skin" she is a seductive extraterrestrial. She voices a man's computer companion in "Her."
"You know, I gotta hustle," Johansson told the magazine of her busy work schedule. "I'm a 28-year-old woman in the movie business, right? Pretty soon the roles you're offered all become mothers. Then they just sort of stop."
Johansson said last month she was engaged to marry French journalist Romain Dauriac. Her previous marriage to actor Ryan Reynolds ended in 2011 after three years.
Last year's sexiest woman, according to Esquire, was American actress Mila Kunis. Barbadian pop singer Rihanna, British actress Kate Beckinsale and South African actress Charlize Theron have all been given the "sexiest" distinction by the magazine.
(Reporting by Eric Kelsey in Los Angeles; Editing by Piya Sinha-Roy and Bill Trott)
By Tom Heneghan
PARIS (Reuters) - The French theatre, opera and film director Patrice Chereau, who mounted one of the most famous productions of Richard Wagner's "Ring" cycle in Bayreuth in the 1970s, has died at the age of 68.
Chereau, who was preparing a production of Shakespeare's "As You Like It" when he succumbed to lung cancer, was a restless innovator who began directing at high school in Paris and never looked back.
His last work, a production of Richard Strauss's opera "Elektra" in Aix-en-Provence, France in July, won wild plaudits and critical acclaim for the way it brought out new depths in the tragic characters.
"One of the greatest French artists has just died," President Francois Hollande said of Chereau after his death was reported by newspaper Liberation. "France has lost an artist of universal proportions who made it proud around the world."
The Paris daily Le Monde said: "Few men and few artists have lived as intensely and left such a towering legacy. There were all the directors in one category, and then Patrice Chereau."
The son of struggling artists, Chereau began his career in the mid-1960s directing a Paris theatre with a strong left-wing political bent. In 1969, he went to work at Milan's Piccolo Teatro with the Italian director Giorgio Strehler.
By 1971, he was back in France, this time in Lyon, where his "violent, virulent and sumptuous theatre" presentations, as the Paris daily Liberation put it, built his reputation further.
Then in 1976, when the French conductor Pierre Boulez asked him to direct Wagner's "Ring" cycle of operas at the legendary festival in Bayreuth, Chereau made his unforgettable debut on the international opera scene.
His adaptation of Wagner's Nordic myths as a 19th-century drama of capitalist exploitation of workers met with raucous boos at its debut. But at the end of its final presentation in 1980, the audience saluted him with an hour and a half of exuberant applause.
"We always worked together with a lot of passion," Boulez said after learning that Chereau, whom he called "the only director I wanted to work with", had died.
"What made his work stand out was the extreme precision with which he created a character out of the slightest figure," he told Le Monde. "I always felt confident with Chereau - when he wanted to try something out, I always told him 'yes'."
Chereau also turned his talents to the cinema, producing films while he also worked in theatre and opera. His first efforts in the 1970s were not critically acclaimed.
But he won a Cesar, the French equivalent of the Oscars, for best screenplay in 1983 for "L'homme blesse" (The Wounded Man).
In 1994, his film "La Reine Margot" (Queen Margot) won the Jury Prize and best actress prizes at the Cannes festival. Five Cesars followed the next year.
His 2001 film "Intimite" (Intimacy) won the Golden Bear for best film at the Berlin Film Festival.
Chereau credited his parents with stirring his interest in art, especially drawing. "I knew at 15 I wanted to do theatre," he once said. "It came from drawing. I read texts and I drew."
At high school, he designed sets for the plays he directed. He also studied German and classical literature, two influences that showed through his career as he chose both modern German and ancient Greek dramas for his productions.
Reflecting on his tendency to try his hand at various forms of his art, he said: "I'd go crazy if I thought I was doing three different jobs. I know I'm only doing one."
(Reporting By Tom Heneghan; editing by Michael Roddy and Tom Pfeiffer)
(Reuters) - Actor Tom Hanks has said that he has been diagnosed with type 2 diabetes, the most common form of the metabolic disease.
Hanks, 57, told late night talk show host David Letterman on Monday that he had been battling high blood sugar for some time.
"I went to the doctor, and he said, 'You know those high blood-sugar numbers you've been dealing with since you were 36? Well, you've graduated! You've got type 2 diabetes, young man,'" Hanks said on CBS network's "Late Show with David Letterman."
"It's controllable," said Hanks, who was on the show to promote his upcoming film "Captain Phillips."
"Something's going to kill us all, Dave," the Oscar-winning actor said, joking with the host.
Type 2 diabetes affects the body by either not producing enough insulin, the hormone that turns sugar into energy, or by resisting insulin.
It affects about 24 million Americans and accounts for the more than 90 percent of diabetes cases diagnosed in the United States, according to the U.S. Food and Drug Administration. It can be life-threatening if not treated.
(Reporting by Eric Kelsey; editing by Jackie Frank)
By Patricia Reaney
NEW YORK (Reuters) - Former Disney star Miley Cyrus says she was out to shock and "make history" and is unapologetic for her raunchy performance at this year's MTV Video Music Awards.
In a documentary, "Miley: The Movement," airing on MTV on October 2, the 20-year-old singer and actress comes across as a shrewd, ambitious performer determined to see her single, "We Can't Stop," hit No. 1 and put her roots as the wholesome Disney Channel star of "Hannah Montana" far behind her.
Cyrus refers to her performance during the August awards show with singer Robin Thicke and an oversized foam finger as a "strategic, hot mess."
The VMA show was "meant to push the boundaries," she says, adding she wanted the act to be memorable along the lines of pop star Britney Spears' kiss with Madonna at the same award show a decade ago.
"That's what you're looking to do, make history."
Spears, who begins a two-year stint in Las Vegas in December at Planet Hollywood Resort and Casino, and other child stars faced personal struggles transitioning to adult careers. But Cyrus sees it as starting as a new artist.
"I felt like I could finally be the bad bitch I really am," she says in the documentary.
Cyrus' appearance - gold fingernails, tattoos and short, platinum hair - is a far cry from her days as the teenage star in "Hannah Montana," which ran from 2006-11.
Reinforcing her image, she posed topless for the cover of the October 12 issue of Rolling Stone magazine and for one of various covers for her album "Bangerz," out October 8. Cyrus also shed her clothes in the music video track of the song "Wrecking Ball."
'SOMETHING THAT NOBODY WAS READY FOR'
The hour-long documentary was shot over about three months before and shortly after the VMAs. It follows Cyrus at home in Los Angeles with her dogs, during appearances to promote "We Can't Stop," and in rehearsals.
The film touches on her childhood with her country singer father, Billy Ray Cyrus, and her mother, Tish. It also includes clips with her idol, Spears, and music collaborators, producer Mike WiLL and rapper and record producer Pharrell Williams, who was featured in Thicke's summer hit, the multimillion-selling single "Blurred Lines."
Notably absent is Cyrus' former fiance, "Hunger Games" actor Liam Hemsworth. Hemsworth, 23, and Cyrus called off their engagement this month, ending a four-year relationship.
"We decided to focus on the music and the professional side," is all that Dave Sirulnick, an executive vice president at MTV and the executive producer of the film, would say about Hemsworth's absence.
At a preview of the film, Sirulnick said the extent of the media reaction to Cyrus' VMA performance surprised everyone.
"As she said, people had this image of her as one thing and then here she came with something that nobody was ready for or expecting," he said.
(Editing by Mary Milliken and Xavier Briand)
By Jonathan Stempel
NEW YORK (Reuters) - Sheldon Adelson, the billionaire casino magnate and prominent Republican donor, has lost a $60 million libel lawsuit in which he claimed a Democratic group spread a false accusation that he had condoned prostitution in his casinos in Macau.
At issue was an article published on July 3, 2012 by the National Jewish Democratic Council (NJDC) on its website that sought to dissuade then-presidential candidate Mitt Romney and other Republicans from accepting Adelson's allegedly "dirty" and "tainted" money.
It cited reports about an accusation that the Las Vegas Sands Corp chief executive "personally approved of prostitution" in his Macau properties.
U.S. District Judge J. Paul Oetken in Manhattan on Monday said the article constituted protected speech and was not libelous.
The accusation, which Adelson has denied, had surfaced in a wrongful termination lawsuit against him by fired Las Vegas Sands executive Steven Jacobs. It was discussed in an Associated Press article about that lawsuit, to which the NJDC provided a hyperlink in its article online.
L. Lin Wood, a lawyer for Adelson, in an emailed statement said the decision denies his client "the basic right of trial by jury," and that an appeal is likely. He also said Las Vegas Sands has a "no tolerance" policy for prostitution.
"The statement by the National Jewish Democratic Council at issue in this case remains a boldfaced lie," said Wood, a partner at Wood, Hernacki & Evans in Atlanta.
Adelson, 80, is worth $28.5 billion and the 11th-richest American, Forbes magazine said this month, and had donated tens of millions of dollars to Republican candidates and organizations in the 2012 election cycle.
He claimed that the NJDC article was intended to advance the group's political interests by "assassinating" his character.
But in a 57-page decision, Oetken said Adelson failed to show that the defendants, which also included NJDC Chairman Marc Stanley and former NJDC President David Harris, acted with actual malice or reckless disregard of the truth.
The judge said the expressions "dirty money" and "tainted money" were imprecise and could not be proven true or false, and in context constituted protected expressions of opinion.
He also said the use of the hyperlink was proper, and that the defendant's reliance upon an article from a "reputable" news organization precluded a finding of liability.
"Protecting defendants who hyperlink to their sources is good public policy, as it fosters the facile dissemination of knowledge on the Internet," Oetken wrote. "It is to be expected, and celebrated, that the increasing access to information should decrease the need for defamation suits."
Adelson had sought $10 million of compensatory damages and $50 million of punitive damages. Oetken also ordered him to pay the defendants' legal fees.
In a phone interview, Stanley said he was pleased with the decision. "You just can't bully people with your money, and Adelson was trying to bully us with a lawsuit to suppress our speech during the election," he said. "David beat Goliath."
The case is Adelson v. Harris et al, U.S. District Court, Southern District of New York, No. 12-06052.
(Reporting by Jonathan Stempel in New York; Editing by Nick Zieminski)
