Natalie Portman, Kristen Stewart most bankable Hollywood stars

NEW YORK (Reuters) - Actresses Natalie Portman and Kristen Stewart are Hollywood's most bankable stars and provide studios with the highest average returns for their films, according to Forbes.com.

Academy award winner Portman topped the list of best actors for the buck, providing about $42.70 for every dollar she earns.

"Black Swan," for which she won her best actress Oscar, was produced for an estimated $13 million and earned $329 million in global box office sales.

"We estimate that for every dollar Portman is paid by the studios, she returns $42.70. Compare that to Eddie Murphy, our most overpaid star, who returns $2.30 for every dollar he gets paid," Forbes.com said.

"Twilight" star Stewart was not far behind, bringing in $40.60. She also topped the Forbes list of highest-earning actresses with an estimated $34.5 million in salary in 2012.

"Stewart was able to earn a ton over the last three years and offer a healthy return thanks to 'Twilight,'" according to Forbes.com. "Even though she was paid $25 million to star in the last two films, she was clearly worth the money."

Forbes.com analyzed salaries, estimated box office grosses from the actor's last three films over the previous three years to calculate the studio's return on investment. The most bankable stars tended to be featured in the most profitable films.

Stewart's two co-stars in the "Twilight" films were also good investments for the studio. Robert Pattinson came in fourth with a return of $31.70 and Taylor Lautner was No. 6, making $29.50 for the studio for every dollar he was paid.

(This story was refiled to correct spelling of Kristen)

(Editing by Steve Orlofsky)

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Reality TV star Bethenny Frankel and husband to separate

NEW YORK (Reuters) - Reality TV star Bethenny Frankel and her husband Jason Hoppy are separating, Frankel announced on Sunday.

"It brings me great sadness to say that Jason and I are separating. This was an extremely difficult decision that, as a woman and a mother, I have to accept as the best choice for our family," Frankel said in a statement confirmed by her representative.

"We have love and respect for one another and will continue to amicably co-parent our daughter who is and will always remain our first priority. This is an immensely painful and heartbreaking time for us."

Frankel, 42, and Hoppy married in March of 2010. They have a daughter, Bryn, who was born in May of 2010.

On Sunday, Frankel tweeted, "I am heartbroken. I am sad. We will work through this as a family."

Frankel first attracted attention in 2008 on the reality show "The Real Housewives of New York City," which chronicles the exploits of wealthy New York women. She went on to star in two other reality TV shows, "Bethenny Getting Married?" and "Bethenny Ever After...," both of which centered on the couple's marriage and child-rearing.

Frankel also founded the Skinnygirl line of cocktails, and has written several diet and self-help books. In 2012 she launched a talk show, "Bethenny," which is set to air nationally in 2013.

(Reporting By Andrea Burzynski; Editing by Stacey Joyce)

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Britain's Queen Elizabeth goes 3D for Olympics tribute

LONDON (Reuters) - Britain's Queen Elizabeth will use her traditional Christmas Day message, filmed in 3D for the first time, to pay tribute to the world's athletes for delivering a "splendid summer of sport" at the London Olympics.

In her personal address to the nation, the monarch will pay tribute to the competitors' "skill, dedication, training and teamwork", her office said on Monday.

The 86-year-old head of state provided an Olympic highlight when she made a surprise comic turn with James Bond actor Daniel Craig in a short film for the opening ceremony.

"In pursuing their own sporting goals, they gave the rest of us the opportunity to share something of the excitement and drama," she will say, according to advance extracts.

Queen Elizabeth missed a church service at her country retreat on Sunday due to a cold, Buckingham Palace said. Her message was pre-recorded and will go out as expected.

It comes at the end of a landmark year for the royal family.

Queen Elizabeth marked 60 years on the throne with the Diamond Jubilee celebrations and her grandson Prince William and his wife Kate are expecting their first baby.

Prime Minister David Cameron issued his own Christmas message in which he talked of Britain's "extraordinary year".

"We cheered our queen to the rafters with the Jubilee, showed the world what we're made of by staging the most spectacular Olympic and Paralympic Games ever and - let's not forget - punched way above our weight in the medals table," he said.

The first Christmas broadcast was given by Queen Elizabeth's grandfather George V in 1932. It has become a Christmas Day tradition for many families to watch it together after lunch.

(Reporting by Peter Griffiths; Editing by Stephen Powell)

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Quentin Tarantino unchains America's tormented past in "Django"

LOS ANGELES (Reuters) - Twenty years after Quentin Tarantino unveiled his first film "Reservoir Dogs," the director has turned his eye to America's slavery history, spinning a blood-filled retribution tale in his trademark style for "Django Unchained."

Tarantino, 49, has become synonymous with violence and dark humor, taking on the Nazis in "Inglourious Basterds" and mobsters in "Pulp Fiction."

In "Django Unchained," to be released in U.S. theaters on Christmas Day, he fuses a spaghetti Western cowboy action adventure with a racially charged revenge tale set in the 19th century, before the abolition of slavery in the United States.

Jamie Foxx stars as a slave whose freedom is bought by a former dentist, played by Christoph Waltz. The two set off as bounty hunters, rounding up robbers and cattle rustlers before turning their attention to brutal plantation owners in America's Deep South.

Tarantino is well-versed in delivering violence. But the director said he faced "a lot of trepidation" about filming the slavery scenes. He has already come under fire from some critics for the frequent use in the film of the "N-word" - a racial slur directed at blacks.

The director said he was initially hesitant to ask black actors to play slaves who are shackled and whipped, and even considered filming outside of the United States.

But a dinner with veteran Oscar-winning actor Sidney Poitier, whom Tarantino called a "father figure," changed his mind after Poitier urged him to not "be afraid" of his film.

"This movie is a deep, deep, deep American story, and it needed to be made by an American, and it needed to star Americans. ... Lots of the movies dealing with this issue have usually had Brits playing Southerners and it creates this arm's-distance quality," Tarantino said.

Much of the film's more graphic slavery scenes, such as gladiator-style fights to the death and being encased naked in a metal hot box in the heat of the Southern sun, are drawn from real accounts.

"We were shooting on hallowed ground. This was the ground of our ancestors. ... Their blood was in the grass, there's still bits of flesh embedded in the bark," Tarantino said.

The film has received good reviews from critics and is expected to add Oscar nominations in January to its five Golden Globe nods.

With the exception of Waltz, who plays eccentric German bounty hunter Dr. King Schultz, the majority of the main players are not only American but from the South.

"It seemed sacred to us, and we couldn't help but channel those emotions, everybody on the crew and on the set. ... Those were very moving days," Tarantino said.

'DESPICABLE' CHARACTERS

Tarantino reunited with Waltz, who won an Oscar in 2010 for his role as a menacing Nazi officer in "Inglourious Basterds," and long-time collaborator Samuel L. Jackson, who plays slave housekeeper Stephen, a character who Tarantino described as "the most despicable black (character)" in movie history.

"Stephen might be frankly the most fascinating character in the whole piece, and it was important to deal with that whole upstairs-downstairs aspect of the Antebellum South," he said.

The role that has people talking is Leonardo DiCaprio's first villainous turn as a racist plantation owner - a stark contrast from his Hollywood heartthrob "Titanic" days and roles as eccentric Americans in "The Aviator" and "J. Edgar."

Asked how he felt to be the first director to make DiCaprio a villain, Tarantino laughed, saying he felt "pretty darn good about it." He commended DiCaprio for turning into a "Southern-fried Caligula," referring to the tyrannical ancient Roman emperor.

"I saw him as a petulant boy emperor. ... He has nothing but hedonistic hobbies and vices to indulge him, and it's almost as if he's rotting from the inside," Tarantino said.

The film's female lead, Django's wife Broomhilda played by Kerry Washington, moves away from Tarantino's fierce screen women such as Uma Thurman in "Kill Bill" and Diane Kruger in "Inglourious Basterds."

Tarantino said Broomhilda was meant to be the "princess in exile." He said he was "annoyed" when he was asked by a friend why Broomhilda did not exact revenge on her abusers in the same way as Thurman's "Kill Bill" character. The film, he said, is "Django's story."

"It invokes ... that odyssey that Django goes on and gives the black slave narrative the romantic dimensions of great opera or great folklore tales," Tarantino said.

(Editing by Jill Serjeant, Patricia Reaney and Will Dunham)

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Jessica Simpson's Christmas tweet seems to confirm pregnancy rumor

(Reuters) - Actress, singer and fashion designer Jessica Simpson sent a Christmas Twitter message that apparently confirms media rumors that she is pregnant - showing a photo of her daughter Maxwell with the words "Big Sis" spelled out in sand.

The picture's caption reads "Merry Christmas from my family to yours."

Simpson had her first child, Maxwell Drew Johnson, in May. She has since become a spokeswoman for Weight Watchers.

A representative for Simpson was not immediately available for comment.

Simpson rose to fame as a teen pop star and became a household name after starring in a TV reality show with her then-husband Nick Lachey, a member of the boy band 98 Degrees. The pair divorced after three years of marriage.

She went on to star in the 2005 film version of "The Dukes of Hazzard" and re-invented herself as a country singer in 2008. She currently designs apparel, accessories and other fashion products and is a mentor on the TV contest "Fashion Star."

Simpson's fiance, Eric Johnson, is a former U.S. professional football player whose career spanned seven seasons for both the San Francisco 49ers and New Orleans Saints.

(Reporting By Mary Wisniewski and Paul Simao)

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Just A Minute With: Hugh Jackman on "Les Miserables"

NEW YORK (Reuters) - Australian actor Hugh Jackman says his background in musical theater and action films made him feel "like all the stars were aligning" when he took on the starring role of Jean Valjean in the new movie version of "Les Miserables."

Jackman, 44, perhaps best known for his portrayal of Wolverine in the "X-Men" movie franchise, spoke to Reuters about the demands of the role in British director Tom Hooper's adaptation of the musical sensation that opened when Jackman was still a teenager.

Q. This role seemed tailor-made for you.

A. "It certainly for me felt like the biggest challenge I have had. I have never been on the front foot so much for a part. I was quite aggressive going for it.

"It felt like the right time. Once I got the part I will admit to you there were times when I went, 'Oh maybe I have bit off more than I can chew here,' because it is a pretty daunting role in every way - physically, vocally, emotionally."

Q. Has all your Broadway experience - and movies - led you to this role?

A. "I never expected this trajectory of having movies, action movies, which was such a weird thing for me, and musicals, which was also a weird thing for me. I was a theater graduate ... . So I have for a long time wanted to put the two together. And I waited for the right thing - and when this one came up I was like, 'Oh my God, I didn't have to think twice about it.' So, I suppose it does feel like all the stars were aligning, and thank God it took them 27 years to make it."

Q. Most actors downplay the Oscars, and this movie is getting some buzz. What do you think?

A. "Of course it is every actor's dream. In our business it is the highest currency there is. It is a dream.

"For me, I didn't grow up thinking I was going to be an actor, let alone hoping one day to win an Oscar - that was never part of my reality. I went to acting school when I was 22. I don't even remember thinking about being a professional actor until I was 30 and in drama school."

Q. What did you have to do to convince Tom Hooper to give you the part?

A. "What I needed to convince him (of) was that it is possible for the lyrics of the song to feel natural. I know he was skeptical of that whole feeling and was nervous, rightly, about whether a musical could really move people and make non-musical lovers feel things, and feel at home with the sung form, because it is highly unnatural right? ... . I knew I needed to convince him that the emotion and the story, the thoughts of the character, could feel natural."

Q. You had that much pressure while in rehearsals?

A. "Your voice had to be as good on the first as the ninth (take). Because, say he (Hooper) got the camera move, or the acting was right on the ninth. You can't pull the vocal from another, or cut to the second one, because the rhythm would be different. So I think he was testing stamina as well. And pitch I am sure, to see if people could sing in tune."

Q. Do you feel the responsibility to the 'Les Mis' fans?

A: "Completely. I am part of that musical theater world and I know there are some roles that are held up there. And there are people who play those roles who are right up there. It turned out I was acting opposite one of them, Colm Wilkinson, who originally created the role and was astonishing. It actually was really great having him there because there is probably, in terms of the ghosts of Valjean, no one more powerful ... than him."

Q. You are known as being one of the most sincere Hollywood stars. Who is your role model for this humble quality?

A. "My father has a lot of very humble qualities. He is more humble than I am. He is very quiet. If I think about it, there are many Jean Valjean qualities about my father. He has never said a bad word about anyone, he is a religious man in the more traditional sense, and yet he will never really talk about it. He is a man of action."

(Reporting By Christine Kearney; Editing by Patricia Reaney and Xavier Briand)

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Billy Crystal channels real-life role in "Parental Guidance"

LOS ANGELES (Reuters) - After a decade away from the big screen, funnyman Billy Crystal has mined his real-life experiences as a grandfather and is back in the holiday season movie "Parental Guidance."

The film, which opened in U.S. theaters on Christmas, stars Crystal as a recently fired baseball announcer, who agrees to watch his three grandchildren with his wife (Bette Midler), while his daughter and her husband go on a business trip.

Crystal, 64, sat down with Reuters to talk about the film, being a grandparent and why he won't host the Oscars ceremony anymore.

Q: You have not been on the big screen in a starring role since 2002's "Analyze That." Did you miss making movies?

A: "I spent over four years doing my one-man Broadway show, '700 Sundays' and didn't care about doing movies. I just so love being in front of live audiences. The play is more satisfying than anything. I'm not interrupted by planes flying overhead, waiting for them to light and all those gruesome slow things on a movie. But really, the last five years were spent getting this movie made."

Q: How did "Parental Guidance" become your return to film?

A: "When I wrote the first story for this movie, my wife Janice and I babysat for our daughter Jenny while she went away with her husband. We had six days with their girls, all alone. It was an eye-opener. When you're not used to that energy, it's tough. On the 7th day I rested and came in to the office and said, 'Here's the idea for the movie.'"

Q: What was eye-opening about those six days?

A: "The eye-opener was the bible that we were given before they left town about what to say (to the kids), what to do, all the rules, don't do this, don't do that, this child has to be taken here. They have my respect of how they programmed their days and weeks. It's insane what they have to do nowadays for schooling and parenting. It's wild."

Q: Quite a difference between your childhood and the grandkids' childhood, right?

A: "When I was a kid growing up, it was basically 'Go outside and play and I'll see you at dinner.' There was no thought that there were bad people out there. There was such a carefree wonderful trust which forced you to use your imagination, which also bonded you with the best of you, and your friends. We didn't have that 'inside' thing like videogames. My only 'inside' thing was watching the Yankees. Otherwise everything was outside."

Q: Speaking of the Yankees, your well-documented lifelong love of baseball is incorporated in to the film with your character being a ball-game announcer. That must have been fun to do.

A: "I love the game and I thought it was a really interesting occupation we hadn't seen before. And a good one for me to play because I love it. I wanted my character to have something he loved doing where I didn't have to fake it."

Q: In being absent from the silver screen for a while, did you find that the movie-making business has changed much?

A: "The studios are so concerned with quadrants (capturing four major demographic groups of moviegoers - men, woman and those over and under 25). I'd never heard of these things when I was in my early years of making movies. You just did them. There was no interference. Now it's a whole different ball game. They're so worried: 'Who's going to come?' Well, there's 77 million American who are babyboomers. That's a huge audience who wants to laugh and have a story told to them that doesn't have bombs and spies and killing."

Q: Does "Parental Guidance" reflect where are you now at this stage of your life?

A: "I was fortunate to be in a great romantic comedy about falling in love (1989's 'When Harry Met Sally'). I wrote the original story for my turning 40, 'City Slickers' (in 1991), which became a huge hit and a very liked movie. And now 'Parental Guidance' happened at this point in my life. I relate to it as a parent and a grandparent."

Q: You will be a grandfather for the fourth time in March. What do you like best about that role?

A: "It's so hard to understand how you can love someone so much that's not yours, but extensions of you. I'm always so moved seeing my girls pregnant, and seeing them move on in their lives. I'm going to turn 65 on March 14. My wife's birthday is the 16th. The baby's due the 18th. So we've got maybe a straight flush happening here. That would be the greatest present of all - a healthy new baby."

Q: Last year you hosted the Oscar ceremony for the ninth time, making you the second most-used host after the late Bob Hope. Are you gunning for his title?

A: "I'm not even close. I've done 9, he's done 19 and neither one of us are doing it again. It's hard to say, 'Can't wait to do it again,' but I can wait."

(Reporting By Zorianna Kit, Editing by Piya Sinha-Roy and Cynthia Osterman)

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British actress Kate Winslet marries for third time

LONDON (Reuters) - British Oscar-winning actress Kate Winslet has married for the third time, her publicist confirmed on Thursday.

The 37-year-old, best known for her starring role in the 1997 blockbuster "Titanic", married Ned RocknRoll, a nephew of music and aviation tycoon Richard Branson.

The private ceremony was attended by Winslet's two children from previous marriages and "a very few friends and family", according to the publicist, and took place in New York earlier this month.

"The couple had been engaged since the summer," Winslet's spokeswoman said in a statement.

Winslet has been nominated for six Academy Awards and won once for her lead role in "The Reader".

Her other notable performances include Iris Murdoch in "Iris", Clementine Kruczynski in "Eternal Sunshine of the Spotless Mind" and April in "Revolutionary Road".

That film was directed by Sam Mendes, whom Winslet wed in 2003 and divorced seven years later. Her first marriage was to Jim Threapleton, which lasted from 1998 to 2001.

According to online reports, RocknRoll had his name changed by deed poll from Ned Abel Smith and is an executive for Branson's space flight venture Virgin Galactic.

The Sun newspaper said the New York wedding was so secret that even the couple's parents did not know about it.

Hollywood actor Leonardo DiCaprio, who co-starred with Winslet in Titanic and Revolutionary Road, gave her away, the newspaper said.

(Reporting by Mike Collett-White; editing by Steve Addison)

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Soprano Bartoli: My voice has more colors, shadow

LONDON (Reuters) - Italian mezzo-soprano Cecilia Bartoli has released a year-end blockbuster that is part mystery story, part research project and shows off a voice which only seems to improve with age.

Bartoli's latest deluxe-packaged album "Mission" (Decca) is devoted to the music of the late 17th-century Italian composer, diplomat and perhaps spy, Agostino Steffani.

Steffani may have been a bit overlooked as a result of his appearance at the end of the Renaissance and at the beginning of the Baroque periods - until Bartoli's interest alighted on him.

"The variety is amazing in the music of Steffani, the slow arias have very beautiful melodic lines, they are unbelievable, it's quite hypnotic music," Bartoli said in a telephone interview from Paris.

Since she burst upon the world in the 1990s, specializing mostly in Mozart and Rossini, Bartoli has gone from strength to strength, not only in digging up unusual repertoires, including another deluxe compilation in 2009 devoted to music sung by castrati, but also vocally.

Here's what else Bartoli had to say about Steffani and his possible career as a spy, why she goes for the anti-diva look on her recent album covers, and what she calls a Fellini-esque experience at La Scala with conductor Daniel Barenboim:

Q: Is it true, then, that the voice improves with time?

A: "I think this is a very good time because of the maturity of the technique. When you are young, of course, you have to have a beautiful voice. This is a gift you receive, but you don't have enough technique or experience. So this is a very good time because I can really paint with my voice with so many colors, like a painter. I love painting with the voice and I'm of an age when I do this definitely better than 20 years ago."

Q: So this bit about Steffani being a spy, surely that was dreamt up by the Decca marketing department?

A: "He had an incredible life as a priest, a missionary and a diplomatic mission to arranging weddings between the royal princes of that period. And also he was a kind of spy, in fact he was a Catholic priest in the north of Germany, in the Protestant area, and he spent lots of years in that area - it was very unusual, very strange. Maybe he also had the mission to convert (people) to Catholicism, who knows? We have lots of speculation about him, all the mysterious things about this man. There's still mystery."

Q: There's no mystery though that the cover for this album, showing you bald-headed and wielding a crucifix, is "non-diva" - like the cover on the "Sacrificium" album of castrati music, with your head superimposed on the torso of a male statue.

A: "The idea was to have a cover related to the project and it was a bit against the cliche of a diva who has to look beautiful all the time. In a project like 'Sacrificium', when at the beginning of the 18th century 3,000-4,000 boys were castrated every year in Italy...how can I make a CD project about this and make a cover with a beautiful, glamorous Vanity Fair picture? This would be more embarrassing...People realize there is a real story here to tell, it's not a compilation of arias which you do for Christmas. And 'Sacrificium' was a huge success."

Q: Your concert recital earlier this month singing Handel, Rossini and Mozart with Daniel Barenboim conducting at La Scala in Milan, with a chorus of boos and whistles in the second half, was perhaps less of a success?

A: "This story is repeating what happened to Carlos Kleiber, one of the greatest conductors of our lives, also to (Maria) Callas, (Luciano) Pavarotti. The concert was magnificent - Handel, Mozart, Rossini - and then I believe at the very end there was a very Fellinian situation. You think these things don't happen anymore, that they only happen in the movies of (Federico) Fellini but actually, no, this is happening. And it seemed like a parody but the next morning I opened the newspaper and (Silvio) Berlusconi is back (in Italian politics). And so I said, 'Yes, of course.'

I think living in Italy is difficult but living without Italy is impossible."

(Editing by Michael Roddy)

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Ex-U.S. President George H.W. Bush in intensive care

AUSTIN, Texas (Reuters) - Former President George H.W. Bush, who led a coalition that ejected Iraqi forces from Kuwait in 1991, is in intensive care at a Houston hospital in "guarded condition," family spokesman Jim McGrath said Wednesday.

The 88-year-old was admitted to hospital November 23 for bronchitis.

"The president is alert and conversing with medical staff, and is surrounded by family," McGrath said in a statement.

"Following a series of setbacks including a persistent fever, President Bush was admitted to the intensive care unit at Methodist Hospital on Sunday where he remains in guarded condition," McGrath said. "Doctors at Methodist continue to be cautiously optimistic about the current course of treatment."

A hospital spokesman said in mid-December that the former president was expected to be home in time for Christmas, but that spokesman later said doctors felt he should build up his strength before returning home.

Bush has lower-body parkinsonism, which causes a loss of balance, and has used wheelchairs for more than a year, McGrath said in an email Wednesday.

Bush, the 41st U.S. president and a Republican, took office in 1989 and served one term in the White House.

The father of former President George W. Bush, he also served as a congressman, as ambassador to the United Nations, as envoy to China, as CIA director and as vice-president for two terms under Ronald Reagan.

(Reporting by Corrie MacLaggan; Editing by Paul Thomasch, Phil Berlowitz and Andrew Osborn)

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Singer-songwriter Carole King to receive U.S. Gershwin prize

(Reuters) - American singer-songwriter Carole King will be awarded the Library of Congress Gershwin Prize for Popular Song, the U.S. national library said on Thursday.

The multiple Grammy Award winner co-wrote her first No. 1 hit at age 17 with then-husband Gerry Goffin and was the first female solo artist to sell more than 10 million copies of a single album, with her 1971 release "Tapestry."

The prize honors individuals for lifetime achievement in popular music, the library said. It is named after songwriting brothers George and Ira Gershwin.

King, now 70, topped the charts with the song "It's Too Late" in 1971, but is best known for her work performed by others, including "You've Got a Friend" by James Taylor and "(You Make Me Feel Like) A Natural Woman" by Aretha Franklin.

"I was so pleased when the venerable Library of Congress began honoring writers of popular songs with the Gershwin Prize," King said in a statement. "I'm proud to be the fifth such honoree and the first woman among such distinguished company."

King and Goffin wrote some the biggest hits of the 1960s before their nine-year marriage ended in 1968. They rose to prominence in 1960 writing "Will You Love Me Tomorrow" for the Shirelles.

The duo also scored hits with "Take Good Care of My Baby," performed by Bobby Vee in 1961, "The Loco-Motion," performed by Little Eva in 1962 and "Pleasant Valley Sunday," performed by The Monkees in 1967, among others.

New York-born King did not hit it big as a singer until 1971, when "Tapestry" topped the U.S. album charts for 15 weeks, then a record for a female solo artist.

Past recipients of the award include Paul Simon, Stevie Wonder, Paul McCartney and songwriting tandem Burt Bacharach and Hal David.

(Reporting by Eric Kelsey; Editing by Jill Serjeant and Xavier Briand)

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"Bennifer" buried as Ben Affleck's star soars

LOS ANGELES (Reuters) - It has taken 10 years of hard work and indie movies, but Ben Affleck finally has moved past his "Bennifer" nightmare.

Affleck, 40, once a tabloid staple who risked becoming a laughingstock during his romance with Jennifer Lopez and their movie flop "Gigli," is back on top in Hollywood, winning accolades for his work both in front of and behind the camera.

Fifteen years after Affleck shared an Oscar with Matt Damon for their first screenplay, "Good Will Hunting," buzz is building over a likely second Academy Award nomination next month. It would be Affleck's first since 1997.

"Finally, people now are ready to go, 'Wow! He's at the very top of the food chain,'" Damon told Reuters.

Affleck's latest film "Argo," a part-thriller, part-comedic tale of the real-life rescue of six American diplomats from Iran in 1980, this week picked up five Golden Globe nominations and a nod from the Screen Actors Guild for its top prize of best ensemble cast.

The film, which Affleck directed, produced and stars in, has also delighted critics and brought in some $160 million at the worldwide box office.

In "Argo," Affleck's clean-cut looks are hidden under a long, shaggy 1970s hair cut and beard as he plays CIA officer Tony Mendez, who devised a fake film project to spirit six hostages out of Tehran after the Islamic revolution.

The kudos Affleck is now receiving follows the embarrassing headlines he attracted over his 2002-2004 romance with Lopez.

"It was tough to watch him get kicked in the teeth for all those years because the perception of him was so not who he actually was," Damon said.

"It was upsetting for a lot of his friends because he's the smartest, funnest, nicest, kindest, incredibly talented guy. ... So that was tough. Now I'm just thrilled. ... He deserves everything that he's going to get," he added.

With a huge, pink diamond engagement ring for Lopez and gossip about matching Rolls Royces, the pair dubbed "Bennifer" starred in the 2003 comedy romance "Gigli," which earned multiple Razzie awards for the worst comedy of the year.

SELLING MAGAZINES NOT MOVIES

Damon, by contrast, was seeing his career surge with "The Bourne Identity," "Syriana" and "The Departed." But he recalls Affleck's pain.

"He said (to me), 'I am in the absolute worst place you can be. I sell magazines, not movie tickets.' I remember our agent called up the editor of Us Weekly, begging her not to put him on the cover any more. Please stop. Just stop," Damon said.

About a year after splitting with Lopez, Affleck married actress Jennifer Garner, had the first of three children with her, and started writing and directing small but admired movies like "Gone Baby Gone" in 2007 and 2010's gritty crime film "The Town."

Last month, Affleck was named Entertainment Weekly's entertainer of the year, largely on the back of "Argo."

The actor-turned-director said that managing the various tones of the film was his hardest challenge.

"I had to synthesize comedic elements and the political stuff and this true-life drama thriller story. ... It was scary and it was daunting," Affleck told Reuters, saying he powered through by "overworking it by a multiple of ten."

A trip to the Oscars ceremony in February is now considered a shoo-in by awards pundits, but Affleck is not convinced that success is sweeter the second time around.

"It's harder. On the one hand, coming from obscurity, you have a neutral starting place. Because of the tabloid press and over exposure, I was starting from a deficit," he said.

"It can be very unpleasant to be in the midst of a lot of ugliness. But I just put my head down and decided ... I was going to work as hard as I could, and I never let the possibility enter my mind that I might fail - at least consciously. Subconsciously, I knew I could fail and I was really scared, so it made me work harder."

(Additional reporting by Zorianna Kit; Editing by Will Dunham)

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Norman Woodland, co-inventor of bar code, dies at 91

NEW YORK (Reuters) - Norman Woodland, co-inventor of the bar code, the inventory tracking tool that transformed global commerce in the 1970s and saved shoppers countless hours on the supermarket checkout line, has died, his daughter said.

Woodland, 91, died Saturday from complications related to Alzheimer's disease in Edgewater, New Jersey, said Susan Woodland of New York.

Today, five billion products a day are scanned optically using the bar code, or Universal Product Code, or UPC, according to GS1 US, the American arm of the global UPC standards body.

The handheld laser scanner inventories consumer products, speeds passengers through airline gates, tracks mail, encodes medical patient information, and is in near universal use across transportation, industrial and shipping industries worldwide.

Susan Woodland said her father and co-inventor Bernard "Bob" Silver were graduate students at an engineering school in Philadelphia when they devised the idea of the bar code.

Silver overheard a supermarket executive asking the dean of the school - now Drexel University - to assign engineering students the task of creating an efficient way to inventory products at the checkout counter.

"My dad really liked to think about interesting problems," Susan Woodland said.

Woodland devised a code based on Morse code - a series of dots and dashes - that he had learned as a Boy Scout, she said.

The pair applied for the world's first bar code patent in 1949. Woodland joined International Business Machines Corp in 1951, and in 1952 he and Silver received the patent.

But it would be more than two decades before laser technology would advance to the point where it could be applied to the bar code, IBM said in a statement.

Silver died in 1963, according to the National Inventors Hall of Fame, which inducted the two men in 2011.

"In some ways it was a disappointment to my dad that it took so long for the technology to catch up," Susan Woodland said.

The first bar code scan took place on June 26, 1974, in Troy, Ohio, when a cashier scanned a 10-pack of Wrigley's Juicy Fruit gum for shopper Clyde Dawson, according to IBM. Cost: 67 cents. A revolutionary technology was born.

The late 1970s were heady times for Woodland, known to friends as 'Joe.'

"My dad was a really sweet, friendly guy and he just got the biggest thrill about having invented the bar code," Susan Woodland said.

"He loved talking to the checkers at the supermarket, seeing what they thought about the bar code scanner, what were the problems with it and what they'd like to see changed," she said, laughing. "They always got such a kick out of him."

Susan Woodland said her father was enthusiastic about perfecting the technology he had invented.

"He was involved in with the whole design of the station - from how the person stood and how high the laser stood to how to protect peoples' eyes from the lasers," she said. "He was totally a perfectionist."

Woodland also served as an historian on the Manhattan Project, the U.S. effort to build the first atomic bomb.

But his bar code invention was closest to his heart, Susan Woodland said.

Woodland is survived by his wife, Jacqueline Woodland of New Jersey, daughters Susan Woodland and Betsy Karpenkopf, brother David Woodland and granddaughter Ella Karpenkopf, 16.

(This story was corrected in the last paragraph to fix the spellings of widow and daughter)

(Reporting By Chris Francescani; Editing by Dan Burns and Nick Zieminski)

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Pop star Kelly Clarkson announces engagement

LOS ANGELES (Reuters) - Kelly Clarkson, who became the first contestant to win "American Idol" a decade ago and went on to several chart-topping successes, has gotten engaged to her boyfriend, the singer said in a Twitter message on Saturday.

Clarkson, 30, previously revealed she had been dating talent manager Brandon Blackstock since early this year. Blackstock is the stepson of country singer Reba McEntire.

"I'M ENGAGED!" Clarkson said on Twitter. "I wanted y'all to know!! Happiest night of my life last night!"

She then followed that by posting a link to a photo of her canary yellow diamond engagement ring on a website. She wrote that her boyfriend helped design it and that she "can't wait to make Brandon's ring."

Clarkson's album "Stronger" hit No. 2 last year on the Billboard 200 sales chart, and she in previous years topped pop charts with her songs "My Life Would Suck Without You" and "A Moment Like This."

The Texas-born singer won the Fox television singing contest "American Idol" in the show's debut year in 2002, and has had more success than many of the show's stars from following years.

Clarkson has burnished an image as an artist willing to speak her mind, even confessing to feelings of loneliness.

Last month, in an appearance on the "Ellen DeGeneres Show," Clarkson said she had been dating Blackstock since earlier this year and was thankful to have him.

"I am not alone for the first time for Thanksgiving and Christmas and I'm very happy," she said on the show.

In the same November appearance, Clarkson said she expected to get engaged to Blackstock. "We will totally, probably elope," she told DeGeneres.

(Reporting By Alex Dobuzinskis; Editing by David Bailey)

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Gabby Douglas, Adele among brightest young stars -Forbes magazine

NEW YORK (Reuters) - Fashion designer Carly Cushnie, actress Kate McKinnon and videogame creator Kim Swift may not be household names yet, but they are destined to do great things and will be tomorrow's young stars, Forbes magazine said on Monday.

Along with Olympic Gold medalist gymnast Gabby Douglas, rapper Wiz Khalifa and researcher Josh Sommer, they have been chosen by the magazine for its "30 Under 30" list of top achievers under 30 years old in their fields.

They are considered the top 30 achievers in 15 categories ranging from education, energy, music, science and healthcare to sports, technology games and apps and marketing.

"This is a celebration of youthful ambition and success. These are really amazing people and they are doing amazing things. It makes you very hopeful about the world," Michael Noer, the executive editor of Forbes, said in an interview.

Many on the list, including singers Bruno Mars and Justin Bieber, as well as actresses Ashley and May Kate Olsen and fashion designer Alexander Wang, the newly appointed creative director at the French fashion house Balenciaga, are already well known.

Some are returnees to the list that was launched last year - like British singer and new mother Adele, the 24-year-old multiple Grammy Award winner, and American entrepreneur Kevin Systrom.

Noer said there has been a 60 percent turnover since 2011, so there are plenty of new faces on the list drawn up by Forbes staff and industry experts.

"I think there are a lot of interesting names on the list," he said.

In energy, it is 28-year-old Leslie Dewan, a Massachusetts Institute of Technology graduate and co-founder and chief science officer of Transatomic Power.

"They are developing a new type of nuclear reactor that uses nuclear waste," said Noer.

In music, Pittsburgh-bred Khalifa, 25, topped the list. Swift, the 29-year-old creative director at Airtight Games, was noted for creating hit videogame Portal.

"Kate McKinnon, the actress from 'Saturday Night Live' who just joined in April is our Hollywood selection. She is being hailed as the next Tina Fey," Noer said.

Sommer, the executive director of the Chordoma Foundation which raises funds for research into chordoma, a rare, slow-growing bone cancer most commonly found in the spine, is another young achiever, according to Forbes.

Sommer created the foundation with his mother after being diagnosed with the disease while a student at Duke University in North Carolina.

"He was diagnosed with a rare type of bone cancer, dropped out of school to find a cure and he has made some progress," said Noer.

The full list will be published in the January 21 issue of Forbes and can also be found at www.forbes.com/under 30 .

(Reporting by Patricia Reaney; editing by Paul Casciato and Mohammad Zargham)

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Florida man sentenced to 10 years in "hackerazzi" case

LOS ANGELES (Reuters) - A Florida man who pleaded guilty to hacking into the email accounts of celebrities to gain access to nude photos and private information was sentenced to 10 years in prison by a federal judge in Los Angeles on Monday.

Former office clerk Christopher Chaney, 36, said before the trial that he hacked into the accounts of film star Scarlett Johansson and other celebrities because he was addicted to spying on their personal lives.

Prosecutors said Chaney illegally gained access to email accounts of more than 50 people in the entertainment industry, including Johansson, actress Mila Kunis, and singers Christina Aguilera and Renee Olstead from November 2010 to October 2011.

Chaney, who was initially charged with 28 counts related to hacking, struck a plea deal with prosecutors in March to nine felony counts, including wiretapping and unauthorized access to protected computers.

"I don't know what else to say except I'm sorry," Chaney said during his sentencing. "This will never happen again."

Chaney was ordered to pay $66,179 in restitution to victims.

Prosecutors recommended a 71-month prison for Chaney, who faced a maximum sentence of 60 years.

TEARFUL JOHANSSON

Prosecutors said Chaney leaked some of the private photos to two celebrity gossip websites and a hacker.

Johansson said the photos, which show her topless, were taken for her then-husband, actor Ryan Reynolds.

In a video statement shown in U.S. District Court in Los Angeles, a tearful Johansson said she was "truly humiliated and embarrassed" when the photos appeared online, asking Judge S. James Otero to come down hard on Chaney.

Prosecutors said Chaney also stalked two unnamed Florida women online, one since 1999 when she was 13 years old.

Chaney, a native of Jacksonville, Florida, was arrested in October 2011 after an 11-month FBI investigation dubbed "Operation Hackerazzi" and he continued hacking after investigators initially seized his personal computers.

Shortly after his arrest, Chaney told a Florida television station that his hacking of celebrity email accounts started as curiosity and later he became "addicted."

"I was almost relieved months ago when they came in and took my computer ... because I didn't know how to stop," he said.

(Reporting by Eric Kelsey; Editing by Jill Serjeant and Andrew Hay)

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Actor Depardieu hits back at French PM over tax exile

PARIS (Reuters) - Actor Gerard Depardieu, accused by French government leaders of trying to dodge taxes by buying a house over the border in Belgium, retorted that he was leaving because "success" was now being punished in his homeland.

A popular and colourful figure in France, the 63-year-old Depardieu is the latest wealthy Frenchman to seek shelter outside his native country after tax increases by Socialist President Francois Hollande.

Prime Minister Jean-Marc Ayrault described Depardieu's behavior as "pathetic" and unpatriotic at a time when the French are being asked to pay higher taxes to reduce a bloated national debt.

"Pathetic, you said pathetic? How pathetic is that?" Depardieu said in a letter distributed to the media.

"I am leaving because you believe that success, creation, talent, anything different must be sanctioned," he said.

An angry member of parliament has proposed that France adopt a U.S.-inspired law that would force Depardieu or anyone trying to escape full tax dues to forego their nationality.

The "Cyrano de Bergerac" star recently bought a house in Nechin, a Belgian village a short walk from the border with France, where 27 percent of residents are French nationals, and put up his sumptuous Parisian home up for sale.

Depardieu, who has also inquired about procedures for acquiring Belgian residency, said he was handing in his passport and social security card.

Culture Minister Aurelie Filippetti said she was outraged by Depardieu's letter, adding that he had for years been supported financially by public money for the film industry.

"When we abandon the ship and desert in the middle of an economic war, you don't then come back and give morality lessons," she told BFM-TV. "One can only regret that Gerard Depardieu doesn't make a comeback in silent movies."

He said he had paid 145 million euros ($190.08 million) in taxes since beginning work as a printer at the age of 14.

"People more illustrious than me have gone into (tax) exile. Of all those that have left none have been insulted as I have."

The actor's move comes three months after Bernard Arnault, chief executive of luxury giant LVMH and France's richest man, caused an uproar by seeking to establish residency in Belgium - a move he said was not for tax reasons.

Belgian residents do not pay wealth tax, which in France is now levied on those with assets over 1.3 million euros ($1.7 million). Nor do they pay capital gains tax on share sales.

"We no longer have the same homeland," Depardieu said. "I sadly no longer have a reason to stay here. I'll continue to love the French and this public that I have shared so much emotion with."

Hollande is pressing ahead too with plans to impose a 75-percent supertax on income over 1 million euros.

"Who are you to judge me, I ask you Mr. Ayrault, prime minister of Mr. Hollande? Despite my excesses, my appetite and my love of life, I remain a free man."

(Reporting by John Irish; Editing by Mark Heinrich)

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Leah Remini sued by former managers over "Family Tools" commissions

LOS ANGELES (TheWrap.com) - Leah Remini's new TV gig is already giving her a headache, months before it even starts. Former "King of Queens" star Remini is being sued by her former managers, the Collective Management Group, which claims that it's owed $67,000 in commissions relating to her upcoming ABC comedy "Family Tools," which debuts May 1.

In a complaint filed with Los Angeles Superior Court on Tuesday, the Collective says that it entered into an agreement with the actress in November 2011 that guaranteed the company 10 percent of the earnings that emerged from projects that Remini "discussed, negotiated, contemplated, or procured/booked during Plaintiff's representation of Remini," regardless of whether the income was earned after she and the Collective parted ways.

According to the lawsuit, that would include the $1 million that it says Remini will earn for the first season of "Family Tools." (The suit allows that it isn't owed commission on a $330,000 talent holding fee that Remini received from ABC prior to officially being booked on the show.)

Remini, pictured above wearing the self-satisfied smirk of someone who just might stiff her former managers out of their commission, terminated her agreement with the Collective "without warning or justification" in October, the suit says.

Alleging breach of oral contract among other charges, the suit is asking for an order stipulating that it's owed the $67,000, plus unspecified damages, interest and court costs.

Remini's agent has not yet responded to TheWrap's request for comment.

(Pamela Chelin contributed to this report)

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Thousands mourn U.S.-Mexican singer Jenni Rivera

LOS ANGELES (Reuters) - Thousands of mourners on Wednesday packed a Los Angeles theater to pay their final respects to Mexican-American singer Jenni Rivera more than a week after her death in a plane crash.

Rivera, 43, best known for her work in the Mexican folk Nortena and Banda genres, died after the small jet she was traveling in crashed in northern Mexico on December 9.

Rivera's family, dressed in white, led the memorial service eulogizing the singer. A bank of white roses was displayed in front of Rivera's bright red coffin and a brass band performed musical interludes.

More than 6,000 people crowded into the theater about 30 miles north of her childhood home in Long Beach, California. Tickets for the service at the Gibson Amphitheatre sold out within minutes, organizers said.

The daughter of Mexican immigrants, Rivera was called the "Diva de la Banda." She sold about 15 million albums and earned a slew of Latin Grammy nominations during her 17-year career.

"Jenni made it OK for women to be who they are," her manager Pete Salgado said at the service. "Jenni also made it OK to be from nothing, with the hopes of being something."

Rivera had five children, the first at age 15, and was married three times. Her third husband was baseball pitcher Esteban Loaiza. Rivera's private life influenced her songs, which often referenced living through hardship.

"She's a fighter and she knows it's in all of us," Rivera's son Michael said between video tributes.

In recent years, Rivera branched out into television, appearing on a reality television show and serving as a judge on the Mexican version of the singing competition "The Voice." Television broadcaster ABC was reported to be developing a comedy pilot for the singer.

Rivera's plane crashed in mountains south of Monterrey killing all seven on board.

The singer was to perform in the city of Toluca, 40 miles southwest of Mexico City, in central Mexico after a concert in Monterrey. It is not clear what caused the crash.

(Reporting by Eric Kelsey; Editing by Stacey Joyce)

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Putin offers French tax row actor Depardieu a Russian passport

MOSCOW (Reuters) - President Vladimir Putin offered French actor Gerard Depardieu a Russian passport on Thursday, saying he would welcome the 63-year-old celebrity who is embroiled in a bitter tax row with France's socialist government.

Weighing into a dispute over a hike in taxes, Putin heaped praise on Depardieu, making the offer of citizenship in response to a question during his annual televised press conference.

"If Gerard really wants to have either a residency permit in Russia or a Russian passport, we will assume that this matter is settled and settled positively," Putin said.

French daily Le Monde reported on Tuesday that Depardieu had told his close friends he was considering three options to escape France's new tax regime: moving to Belgium, where he owns a home, relocating to Montenegro, where he has a business, or fleeing to Russia.

"Putin has already sent me a passport," Le Monde quoted the actor as jokingly saying.

Depardieu is well-known in Russia where he has appeared in many advertising campaigns, and in 2012 he was one of several Western celebrities invited to celebrate the birthday of Ramzan Kadyrov, Chechnya's Kremlin-backed leader.

He also worked in Russia last year on a film about the life and times of the eccentric Russian monk Grigory Rasputin.

He has already inquired about how to obtain Belgian residency rights and said he plans to hand in his French passport and social security card.

In what has become an ugly public dispute, France's Prime Minister Jean-Marc Ayrault criticized Depardieu's announcement as "pathetic" and unpatriotic. The actor hit back, accusing France of punishing success and talent.

But Putin said he thought the feud was the result of a "misunderstanding".

The 60-year-old former KGB spy said he was very friendly with Depardieu, saying he thought the actor considered himself a Frenchman who loved the culture and history of his homeland.

Belgian residents do not pay a wealth tax, which in France is now levied on those with assets over 1.3 million euros ($1.7 million). Nor do they pay capital gains tax on share sales.

Hollande is also pressing ahead with plans to impose a 75-percent super tax on income over 1 million euros.

Russia has a flat income tax rate of 13 percent.

(Reporting by Alexei Anishchuk; Additional reporting by John Irish in Paris; Writing by Gabriela Baczynska; Editing by Alissa de Carbonnel and Andrew Osborn)

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World Chefs: Keller shares memories, spotlight in latest book

NEW YORK (Reuters) - Thomas Keller, one of America's most respected chefs, shares the food memories of his childhood and his time in France in his new book "Bouchon Bakery," which is also the name of his chain of pastry shops in the United States.

Keller is the only American chef who owns two three-Michelin-star restaurants - Per Se in New York City and The French Laundry in the Napa Valley wine region in California.

Earlier this year, Britain's Restaurant Magazine named Per Se, which opened in 2004, the world's sixth best restaurant. Keller also earned the magazine's lifetime achievement award.

Like his four other books, his latest effort is a collaboration. He co-wrote it with his top pastry chefs Sebastien Rouxel and Matthew McDonald along with food writers Susie Heller, Michael Ruhlman and Amy Vogler.

The 57-year-old spoke to Reuters about the book, his pastry chefs and his place in the culinary world.

Q: Why did you collaborate with the leaders of your pastry team with this book?

A: "If you look at my other cookbooks, it's always been a point with me to share these opportunities with those who share their skills and expertise with the general public. That was the reason why I did the book. Sebastien is one of the best pastry chefs in America. His techniques are unparalleled. I'm not trying to pretend that I'm a pastry chef by writing a book about baking and pastries. Nor am I trying to be a bread baker. I have Matthew McDonald, who is one of the best bakers in America. To be able to highlight his skills in the bread section was very important as well."

Q: How did your time in France change your view about pastry and bread-making?

A: "When you are in France, especially in Paris, there were three or four boulangeries of different significance just on the block where I lived because they had pastry chefs with different levels of skills. You went to different ones for different things. To have a fresh baked baguette everyday was extraordinary. Anyone who lived in Paris for any length of time would say eating a fresh baguette is pretty special. Bread plays a real important part in the experience of the diners. To make sure we have the opportunity to significantly impact the experience by controlling the production and style of the bread was very important to me."

Q: Do you have a favorite dessert?

A: "It depends on the day ... There are so many things I love. I think anything that's done really, really well. For me, that's really something I really appreciate. I think one of the things that really resonate with the individual is that idea that eating, and eating through that experience, they have a memory. We are always trying to do something that's good. Why put something on the menu that's not very good?"

Q: The book emphasizes weighing ingredients over measuring with cups and spoons. Could that be difficult for home cooks?

A: "One of the things about pastry ... it's such an exact process. The most exact thing you practice is with weighing. There is an exactness to the execution, which gives you every opportunity to be successful."

Q: French Laundry and Per Se are among two of the best restaurants in the country. Bouchon Bakery is a success. What more would you like to accomplish in the culinary world?

A: "I have accomplished today everything I wanted to accomplish, more than I ever dreamed was possible. Right now, I'm just focused on the restaurants we have and the book I just wrote. Let me enjoy this moment before you ask me what I'll be doing tomorrow."

Pecan Sandies for my mom (Makes 1-1/2 dozen cookies)

1 ¾ cups + 1 ½ teaspoons all-purpose flour (250 grams)

¾ cup coarsely chopped pecans (80 grams)

4 ounces unsalted butter, at room temperature (170 grams)

¾ cup + 1 ¾ teaspoons powdered sugar (90 grams)

Additional powdered sugar for dusting (optional)

1. Position the racks in the upper and lower thirds of the oven and preheat the oven to 325°F (convection) or 350°F (standard). Line two sheet pans with Silpats or parchment paper.

2. Toss the flour and pecans together in a medium bowl.

3. Place the butter in the bowl of a stand mixer fitted with the paddle attachment and mix on medium-low speed until smooth. Add the 90 grams/¾ cup plus 1¾ teaspoons powdered sugar and mix for about 2 minutes, until fluffy. Scrape down the sides and bottom of the bowl. Add the flour mixture and mix on low speed for about 30 seconds, until just combined. Scrape the bottom of the bowl to incorporate any dry ingredients that have settled there.

4. Divide the dough into 30-gram/1½-tablespoon portions, roll into balls, and arrange on the sheet pans, leaving about 1½ inches between them. Press the cookies into 2-inch disks.

5. Bake until pale golden brown, 15 to 18 minutes if using a convection oven, 22 to 25 minutes if using a standard oven, reversing the positions of the pans halfway through. (Sandies baked in a convection oven will not spread as much as those baked in a standard oven and will have a more even color.)

6. Set the pans on a cooling rack and cool for 5 to 10 minutes. Using a metal spatula, transfer the cookies to the rack to cool completely. If desired, dust with powdered sugar.

Note: The cookies can be stored in a covered container for up to 3 days.

(Reporting by Richard Leong; Editing by Patricia Reaney and James Dalgleish)

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"Hobbit" actor McKellen has prostate cancer

LONDON (Reuters) - "The Hobbit" actor Ian McKellen said in an interview published on Tuesday that he had had prostate cancer for the last six or seven years, but added that the disease was not life-threatening.

McKellen, 73, played Gandalf in the hit "Lord of the Rings" movie trilogy, and reprises the role in three prequels based on J.R.R. Tolkien's novel "The Hobbit".

The first of those, "The Hobbit: An Unexpected Journey", recently had its world premiere in New Zealand, where it was shot under the directorship of Peter Jackson.

"I've had prostate cancer for six or seven years," McKellen told the Daily Mirror tabloid. "When you have got it you monitor it and you have to be careful it doesn't spread. But if it is contained in the prostate it's no big deal."

His representatives in London were not immediately available to comment on the interview.

"Many, many men die from it but it's one of the cancers that is totally treatable," added McKellen, one of Britain's most respected actors who is also well known in Hollywood for appearances in the X-Men franchise.

"I am examined regularly and it's just contained, it's not spreading. I've not had any treatment."

He admitted he feared the worst when he heard he had the disease.

"You do gulp when you hear the news. It's like when you go for an HIV test, you go 'arghhh is this the end of the road?'

"I have heard of people dying from prostate cancer, and they are the unlucky ones, the people who didn't know they had got it and it went on the rampage. But at my age if it is diagnosed it's not life threatening."

"The Hobbit" opens in cinemas later this week.

(Reporting by Mike Collett-White)

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Inside David Lynch's Paris art-studio hideaway

PARIS (Reuters) - Behind the doors of a 19th-century printworks in south-central Paris, filmmaker and painter-by-training David Lynch takes a cigarette break after hours of etching abstract shapes and twisted limbs onto stone and wood.

Although best known for dark, surreal movies such as "Eraserhead", "Blue Velvet" and "Mulholland Drive", Lynch was an artist before he began filmmaking and since 2007 has been using the Idem workshop as his studio in Paris, creating some 170 lithographs and engravings.

As three workshop staff clamber onto one of the six giant mechanical presses to print up a fresh design, Lynch - dressed in a blue apron and sporting his trademark white, bouffant hairdo - explains that there is something uniquely inspiring about the Parisian printworks.

"This is totally Parisian. In people's dream of Paris, this place would fit in that dream perfectly," the 66-year-old tells Reuters, speaking above the noise of the whirling cogs and hand-operated cranks that he says remind him of the twisted, industrial world of his debut feature film "Eraserhead".

"Everybody that comes to this place, they feel it...I can feel the past. I can feel the whole art of life going on here."

Artists such as Picasso, Matisse, Chagall and Miro all had their prints produced at the site, a two-floor workshop built in 1880 that is still in use today by artists including Lynch. Encircled by piles of engraving-stones and the odd stuffed toy panther, the presses can also print from digital files.

Lynch's prints - which he says he etches from scratch after "catching" an idea in his mind - vary from Keith Haring-esque red-and-white squiggles and doodles to ghostly Edvard Munch-like humans stranded in desolate landscapes, with titles like "Things In Air Over City" or "Oh, A Bad Dream Comes".

They seem to combine the black-and-white, nightmarish imagery of "Eraserhead" and "The Elephant Man" with the abstract, surreal narratives of Lynch's last two movies, 2001's "Mulholland Drive" and 2006's "Inland Empire".

Lynch has explored other media over the past decade, creating a series of animated shorts posted online called "Dumbland", directing a Duran Duran concert streamed on YouTube and even recording his own solo album called "Crazy Clown Time".

He has even adapted his trademark palette of dark tones and surreal shapes to French tastes, designing a limited edition of Dom Perignon champagne bottles as well as an underground nightclub in the center of Paris called "Silencio".

Despite his obvious enthusiasm for trying out new things, Lynch's affection for Paris comes from its protection of tradition.

"I like the way the French people live. They protect the arts more than any other country," he says. "Here, almost every avenue of life is like an art form."

In a seemingly upside-down world where governments and bankers are suffering from the financial crisis but where big-name artists are fetching higher prices than ever before, Lynch says that he can still separate the urge to make money from the urge to make art.

"It's like Hollywood versus the art way," he says. "I love money for getting things to work and to live. But it's not the reason in my mind to make a film or to make anything."

Asked what his next move is going to be, Lynch says he will continue to work on music and art but adds that there is a movie idea also in the pipeline.

"Music and painting and maybe cinema, but we'll have to wait and see," he says. "Maybe it's going to happen but you need to be deeply in love and, you know...I'm falling in love."

(Reporting by Lionel Laurent, editing by Paul Casciato)

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A Minute With: Director Peter Jackson on shooting "The Hobbit"

LOS ANGELES (Reuters) - After bringing J.R.R. Tolkien's "The Lord of the Rings" trilogy to life, filmmaker Peter Jackson is back in the world of Middle Earth with the author's prequel, "The Hobbit."

The three-film series is due to open in U.S. theaters on Friday with "The Hobbit: An Unexpected Journey."

The Oscar-winning director, 51, told Reuters about the 3D film, including the 48 frames per second (fps) format he used, which was widely debated by fans and critics.

Q: You originally intended "The Hobbit" to only be two parts. Why stretch it out to three?

A: "Back in July, we were near the end of our shoot and we started to talk about the things that we had to leave out of the movies. There's material at the end of 'The Return of the King' (the final part of 'The Lord of the Rings' trilogy) in the appendices that takes place around the time of 'The Hobbit.'

"We were thinking, this is our last chance because it's very unlikely we're ever going to come back to Middle Earth as filmmakers. So we talked to the studio and next year we're going to be doing another 10 to 12 weeks of shooting because we're now adapting more of Tolkien's material."

Q: At what point did you decide you would direct the film yourself after originally handing it to Guillermo del Toro?

A: "At the time (we wrote the script), I was worried about repeating myself and worried that I was competing with myself. I thought it would be interesting to have another director with a fresh eye coming in and telling the story. But after Guillermo left, having worked on script and the production for well over a year at that stage, I was very emotionally attached to it. I just thought, this is an opportunity I'm not going to say no to."

Q: You hired Gollum actor Andy Serkis to do second unit directing on the film, something he has never done before. What made you hand the task to a novice?

A: "I know how strongly Andy has been wanting to direct. One of the problems with second unit is that you tend to have conservative footage given to you by the director. They play it safe. I knew that I wouldn't get that from Andy because he's got such a ferocious energy. He goes for it and doesn't hold back. I knew that if Andy was the director I would be getting some interesting material, that it would have a life and energy to it."

Q: What inspired you to make a film in 48 fps?

A: "Four years ago I shot a six or seven minute King Kong ride for Universal Studios' tram ride in California. The reason we used the high frame rate was that we didn't want people to think it's a movie. You want that sense of reality, which you get from a high frame rate, of looking in to the real world. At the time, I thought it would be so cool to make a feature film with this process."

Q: Not everyone has embraced "The Hobbit" in 48 fps.

A: "For the last year and a half there's been speculation, largely negative, about it and I'm so relieved to have gotten to this point. I've been waiting for this moment when people can actually see it for themselves. Cinephiles and serious film critics who regard 24 fps as sacred are very negative and absolutely hate it. Anybody I've spoken to under the age of 20 thinks it's fantastic. I haven't heard a single negative thing from the young people, and these are the kids that are watching films on their iPads. These are the people I want to get back in the cinema."

Q: Why all the hoopla over a frame rate?

A: "Somehow as humans, we have a reaction to change that's partly fear driven. But there are so many ways to look at movies now and it's a choice that a filmmaker has. To me as a filmmaker, you've got to take the technology that's available in 2012, not the technology we've lived with since 1927, and say how can we enhance the experience in the cinema? How can we make it more immersive, more spectacular?"

Q: George Lucas sold Lucasfilm to Disney for $4 billion. Do you think you will sell your New Zealand facility Weta someday?

A: "I would if I want to retire at some stage and want to have a nice easy life, which will hopefully happen one day. But in the foreseeable future, the fact that I'm an owner of my own digital effects facility is a fantastic advantage for me."

Q: How so?

A: "When we asked the studio if we could shoot 'The Hobbit' at 48 fps, we promised the budget would be the same. But it actually does have a cost implication because you've got to render twice as many frames and the rendering takes more time. The fact that we owned Weta and could absorb that in-house was actually part of the reason we were able to do the 48 frames."

(Editing by Patricia Reaney)

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Actor Depardieu's Belgium move "pathetic": French PM

PARIS (Reuters) - Actor Gerard Depardieu's decision to establish residency in Belgium, which does not have a wealth tax, by buying a house just over the border with France, is "pathetic" and unpatriotic, French Prime Minister Jean-Marc Ayrault said on Wednesday.

Depardieu has become the latest wealthy Frenchman after luxury magnate Bernard Arnault to look for shelter outside his native country following tax hikes by Socialist President Francois Hollande.

"Going just over the border, I find that fairly pathetic," Ayrault said on France 2 television. "Being a Frenchman means loving your country and helping it to get back on its feet."

The "Cyrano de Bergerac" star bought a house in the Belgian village of Nechin near the border with France, where 27 percent of the population is composed of French nationals, local mayor Daniel Senesael told French media on Sunday.

Depardieu also enquired about procedures for acquiring Belgian residency, he said.

Yann Galut, a Socialist member of parliament, condemned the actor and proposed that France copy U.S. practice by adopting a law that would force exiles to pay full tax dues or risk being stripped of their nationality.

"It is scandalous and shameful," Galut told Reuters in an interview.

"The country's in dire straits. This man owes everything he has to France - the accolades, the subsidies that helped produce his films, the schools where he was educated. At the end of a career that made him extremely rich he wants nothing to do with national solidarity."

Belgian residents do not pay wealth tax, which in France is now slapped on individuals with assets over 1.3 million euros ($1.70 million), nor do they pay capital gains tax on share sales. France has also imposed a 75-percent tax on incomes exceeding 1 million euros.

The tax hikes have been welcomed by left-wingers who say the rich must do more to help redress public finances but attacked by some wealthy personalities and foreign critics, who say it will increase tax flight and dampen investment.

Depardieu's move comes three months after Arnault, chief executive of luxury giant LVMH, caused an uproar by seeking to establish residency in Belgium - a move he said was not motivated by tax reasons.

The left-leaning Liberation daily reacted with a front-page headline next a photograph of Arnault telling him to "Get lost, you rich jerk", prompting luxury advertisers including LVMH to withdraw their advertisements.

Ayrault said he did not support the idea floated by Galut, and the call was also partially disowned by the leader of the Socialist group in the lower house of parliament.

"I'd rather appeal to people's intelligence, to their hearts," Ayrault said.

Undeterred, Galut said tax dodging may be costing the state as much as 6 to 8 billion euros ($7.8 to 10.4 billion) a year in lost income and that such amounts were "far from negligible" at a time when France is at pains to reduce a bloated debt.

"Everyone is being asked to chip in, private individuals and companies alike. It's inadmissible that people who made fortunes in France refuse to share their part of the burden," he said.

Galut said he was asked on Wednesday to set up a parliamentary panel that would look into the question of tax exiles, saying he would like to see action taken when parliament broaches a budget bill for 2014.

($1 = 0.7669 euros)

(Editing by Jon Boyle and Louise Heavens)

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Mick Jagger love letters fetch $300,000 at auction

LONDON (Reuters) - A collection of love letters written by Rolling Stones frontman Mick Jagger to American singer Marsha Hunt, believed to be the inspiration for the band's hit single "Brown Sugar", sold at Sotheby's on Wednesday for 187,250 pounds ($301,000).

The 10 letters, dating from the summer of 1969, had been expected to fetch 70-100,000 pounds, according to the auctioneer.

"The passage of time has given these letters a place in our cultural history," Hunt said after the London sale.

"1969 saw the ebbing of a crucial, revolutionary era, highly influenced by such artists as The Beatles, The Rolling Stones, James Brown and Bob Dylan.

"Their inner thoughts should not be the property of only their families, but the public at large, to reveal who these influential artists were - not as commercial images, but their private selves."

Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper last month that she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.

"I'm broke," Hunt, who lives in France, told the newspaper.

Jagger wrote them to Hunt while filming the Tony Richardson movie "Ned Kelly" in Australia.

They showed a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.

Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.

Hunt has said she was the inspiration for Brown Sugar, which Jagger wrote while in Australia.

The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithfull, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.

There has been a surge in interest in the rock band this year, as Jagger and his three surviving bandmates celebrate the 50th anniversary of the Stones with a series of concerts, a photo book and a greatest hits album.

(Reporting by Mike Collett-White)

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Politico financier Joe L. Allbritton dies at 87

LOS ANGELES (TheWrap.com) - Joe L. Allbritton, the millionaire founder of Politico's parent company, died Wednesday of heart ailments in a Houston hospital. He was 87.

The founder of Allbritton Communications, which launched Politico and owns several television stations, built the Washington, D.C.-based media empire after controversy-fraught years as the chief of Riggs National Bank.

Born in Mississippi and raised in Texas, Allbritton was a self-made businessman, who dabbled in real estate, mortuaries and banking before entering the news business in 1974, when he purchased the struggling Washington Star newspaper.

He revived the paper. Six years later, federal regulations regarding cross ownership of newspaper and television stations forced him to sell his $35 million investment. Time Inc. bought it for $217 million.

Allbritton held on to his more lucrative media properties, including WJLA, an ABC affiliate in Washington, D.C. that took his initials, and helped launch NewsChannel 8, also in Washington, one of the country's first 24-hour news channels.

The company he founded, which is now run by his son, Robert, has made inroads into the internet world - founding Politico in 2007 and TBD, a short-lived internet news site that the company shuttered in 2012. Though Politico is his son's creation, the elder Allbritton bankrolled the publication and has been accused of excessively involving himself in its editorial affairs.

But, for all of Allbritton's successes and wealth, his career was marred by a nationwide recession in the early 1990s that Forbes magazine said brought the bank to the brink of insolvency.

The economic slump left Riggs with bad loans on drastically devalued real estate, but Allbritton was also blamed by analysts for ignoring the growing suburban banking market which took business away from Riggs.

Despite these woes, he refused to give up his private jet at Riggs, even as shareholders urged him to sell the Gulfstream.

He was also criticized for his eagerness to do business with some shady customers

He personally courted Chilean dictator Augusto Pinochet, whom human rights groups accused of killing more than 3,000 of his own citizens during his 17-year reign.

And - in a 2001 letter to Teodoro Obiang Nguema, the dictator of oil-rich Equatorial Guinea - Allbritton praised the west African strongman's "reputation for prudent leadership." Obiang deposited hundreds of millions of dollars in banks controlled by Allbritton.

But little of this criticism appeared in Politico's glowing, three-page obituary on its financier.

The piece, bylined by editor-in-chief John F. Harris and reporter James Hohmann, makes a brief, passing mention of a federal inquiry into Allbritton's dealings with Pinochet. There is no mention of Obiang.

The man, whom the Washington Post noted - in the headline of its obituary - led once-venerable Riggs to "disrepute" is praised by Politico with a laundry list of accomplishments.

"He would wear Politico baseball caps and T-shirts while playing with his grandchildren. Sometimes, he would quiz executives at the company on business and editorial matters, sometimes pretending caustically to second-guess their decisions," Harris and Hohmann wrote of the former boss.

"It took the publisher, adept at reading his father's sense of humor, to assure people that he was just kidding; his main involvement in the new publication was as cheerleader."

It wasn't the only time Allbritton was accused of involving himself in Politico's coverage.

In 2007, five months after the news agency's christening, Glenn Greenwald, then a columnist at Salon, accused Politico of having a conservative bias, pointing to Allbritton's appointment of Frederick J. Ryan Jr., a one-time assistant to President Ronald Reagan, as president and CEO of Politico.

"There is nothing wrong per se with hard-core political operatives running a news organization. Long-time Republican strategist Roger Ailes oversees Fox News, of course," Greenwald wrote. "But it seems rather self-evident that a news organization run by someone with such clear-cut political biases ought to have a hard time holding itself out as some sort of politically unbiased source of news."

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Media mogul and banker Allbritton dies at 87

WASHINGTON (Reuters) - Joe Lewis Allbritton, a media mogul and owner of the scandal-plagued Riggs National Bank, died on Wednesday at a hospital in Houston. He was 87.

Allbritton died of heart ailments, said Jerald Fritz, a senior vice president of Allbritton Communications.

Allbritton's media empire included newspapers throughout the U.S. Northeast and ABC network affiliates. Allbritton's son, Robert, recently founded the influential political publication Politico.

But Joe Allbritton, a Mississippi native, was famously known for owning and running Riggs, the Washington-based bank that had been a dominant force in diplomatic banking in the nation's capital.

Allbritton's banking career was tarnished when it was revealed that Riggs bank failed to report suspicious activity in the accounts held by former Chilean dictator Augusto Pinochet and Equatorial Guinea officials.

Riggs bank pleaded guilty in 2005 to violating anti-money laundering laws and was fined a total of $41 million.

Allbritton did not seek re-election to Riggs' board of directors and the storied bank was eventually acquired by PNC Financial Services.

Allbritton is survived by his wife, son and two grandchildren.

(Reporting By Rachelle Younglai; Editing by Eric Beech)

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Legendary Indian sitarist, composer Ravi Shankar dead at 92

LOS ANGELES (Reuters) - Sitarist and composer Ravi Shankar, who helped introduce the sitar to the Western world through his collaborations with The Beatles, died in Southern California on Tuesday, his family said. He was 92.

Shankar, a three-time Grammy winner with legendary appearances at the 1967 Monterey Festival and at Woodstock, had been in fragile health for several years and last Thursday underwent surgery, his family said in a statement.

"Although it is a time for sorrow and sadness, it is also a time for all of us to give thanks and to be grateful that we were able to have him as a part of our lives," the family said. "He will live forever in our hearts and in his music."

In India, Prime Minister Manmohan Singh's office posted a Twitter message calling Shankar a "national treasure and global ambassador of India's cultural heritage."

"An era has passed away with ... Ravi Shankar. The nation joins me to pay tributes to his unsurpassable genius, his art and his humility," the Indian premier added.

Shankar had suffered from upper respiratory and heart issues over the past year and underwent heart-valve replacement surgery last week at a hospital in San Diego, south of Los Angeles.

The surgery was successful but he was unable to recover.

"Unfortunately, despite the best efforts of the surgeons and doctors taking care of him, his body was not able to withstand the strain of the surgery. We were at his side when he passed away," his wife Sukanya and daughter Anoushka said.

Shankar lived in both India and the United States. He is also survived by his daughter, Grammy-winning singer Norah Jones, three grandchildren, and four great-grandchildren.

Shankar performed his last concert with his daughter Anoushka on November 4 in Long Beach, California, the statement said. The night before he underwent surgery, he was nominated for a Grammy for his latest album "The Living Room Sessions, Part 1."

'NORWEGIAN WOOD' TO 'WEST MEETS EAST'

His family said that memorial plans will be announced at a later date and requested that donations be made to the Ravi Shankar Foundation.

Shankar is credited with popularizing Indian music through his work with violinist Yehudi Menuhin and The Beatles in the late 1960s, inspiring George Harrison to learn the sitar and the British band to record songs like "Norwegian Wood" (1965) and "Within You, Without You" (1967).

His friendship with Harrison led him to appearances at the Monterey and Woodstock pop festivals in the late 1960s, and the 1972 Concert for Bangladesh, becoming one of the first Indian musicians to become a household name in the West.

His influence in classical music, including on composer Philip Glass, was just as large. His work with Menuhin on their "West Meets East" albums in the 1960s and 1970s earned them a Grammy, and he wrote concertos for sitar and orchestra for both the London Symphony Orchestra and the New York Philharmonic.

Shankar served as a member of the upper chamber of the Parliament of India, from 1986 to 1992, after being nominated by then Indian Prime Minister Rajiv Gandhi.

A man of many talents, he also wrote the Oscar-nominated score for 1982 film "Gandhi," several books, and mounted theatrical productions.

He also built an ashram-style home and music center in India where students could live and learn, and later the Ravi Shankar Center in Delhi in 2001, which hosts an annual music festival.

Yet his first brush with the arts was through dance.

Born Robindra Shankar in 1920 in India's holiest city, Varanasi, he spent his first few years in relative poverty before his eldest brother took the family to Paris.

For about eight years, Shankar danced in his brother's Indian classical and folk dance troupe, which toured the world. But by the late 1930s he had turned his back on show business to learn the sitar and other classical Indian instruments.

Shankar earned multiple honors in his long career, including an Order of the British Empire (OBE) from Britain's Queen Elizabeth for services to music, the Bharat Ratna, India's highest civilian award, and the French Legion d'Honneur.

(Editing by Eric Walsh)

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McAfee arrives in U.S. from Guatemala

MIAMI (Reuters) - Computer software pioneer John McAfee, who is wanted for questioning in Belize over the murder of a fellow American, arrived in Miami on Wednesday evening after he was deported by Guatemala, according to fellow passengers on an American Airlines flight.

After landing, McAfee, 67, was escorted from the plane by airport security officers, passengers said. Shortly afterward, he tweeted, "I am in South Beach," referring to the popular tourist area on Miami Beach.

"Some people felt uncomfortable that he was on our flight. ... We all knew the story," said Maria Claridge, 36, a South Florida photographer who was on the Silicon Valley entrepreneur's flight to Miami.

McAfee, who was seated in the coach section and had a whole row to himself, was wearing a suit and was "very calm" during the flight, she added.

"He looked very tired, he looked like a man who hadn't slept in days. I'd say he even looked depressed," said another passenger, Roberto Gilbert, a Guatemalan who lives in Miami.

McAfee had been held for a week in Guatemala, where he surfaced after evading police in Belize for nearly a month following the killing of American Gregory Faull, his neighbor on the Caribbean island of Ambergris Caye.

Police in Belize want to quiz McAfee as a "person of interest" in Faull's death, although the technology guru's lawyers blocked an attempt by Guatemala to send him back there.

Authorities in Belize say he is not a prime suspect in the investigation. McAfee has denied any role in Faull's killing.

The goateed McAfee has led the world's media on a game of online hide-and-seek in Belize and Guatemala since he fled after Faull's death, peppering the Internet with pithy quotes and colorful revelations about his unpredictable life.

"I'm happy to be going home," McAfee, dressed in a black suit, told reporters shortly before his departure from Guatemala City airport on Wednesday afternoon. "I've been running through jungles and rivers and oceans and I think I need to rest for a while. And I've been in jail for seven days."

Guatemala's immigration authorities had been holding McAfee since he was arrested last Wednesday for illegally entering the country with his 20-year-old Belizean girlfriend.

The eccentric tech pioneer, who made his fortune from the anti-virus software bearing his name, has been chronicling life on the run in a blog, www.whoismcafee.com.

He said he had no immediate plans after reaching Florida.

"I'm just going to hang in Miami for a while. I like Miami," he told Reuters by telephone just before his plane left. "There is a great sushi place there and I really like sushi."

BELIZE STILL WAITING

Residents of the Belizean island of Ambergris Caye, where McAfee has lived for about four years, said McAfee and Faull, 52, had quarreled at times, including over McAfee's unruly dogs.

McAfee says Belize authorities will kill him if he turns himself in for questioning. He has said he was being persecuted by Belize's ruling party for refusing to pay some $2 million in bribes.

Belize's prime minister has rejected the allegations, calling McAfee paranoid and "bonkers.

Belize police spokesman Raphael Martinez said the country still wanted to question McAfee about the Faull case.

"He will be just under the goodwill of the United States of America. He is still a person of interest, but a U.S. national has been killed and he has been somewhat implicated in that murder. People want him to answer some questions," he said.

Martinez noted that Belize's extradition treaty with the United States extended only to suspected criminals, a designation that did not currently apply to McAfee.

"Right now, we don't have enough information to change his status from person of interest to suspect," he said.

Residents and neighbors on Ambergris Caye said McAfee was unusual and at times unstable. He was seen to travel with armed bodyguards, sporting a pistol tucked into his belt.

The predicament of McAfee, a former Lockheed systems consultant, is a far cry from his heyday in the late 1980s, when he started McAfee Associates. McAfee has no relationship now with the company, which was sold to Intel Corp.

McAfee was previously charged in Belize with possession of illegal firearms, and police had raided his property on suspicions that he was running a lab to produce illegal synthetic narcotics. He said he had not taken drugs since 1983.

"I took drugs constantly, 24 hours of the day. I took them for years and years. I was the worst drug abuser on the planet," he told Reuters before his arrest in Guatemala. "Then I finally went to Alcoholics Anonymous, and that was the end of it."

(Writing by Dave Graham, Michael O'Boyle and David Adams. Reporting by Sofia Menchu and Mike McDonald.; Editing by Peter Cooney)

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Hugh Hefner heads to altar again, with "runaway bride"

LOS ANGELES (Reuters) - Playboy founder Hugh Hefner is headed to the altar again - with the blonde Playmate who ditched him five days before their planned wedding in 2011.

Hefner, 86, and his former "runaway bride" Crystal Harris, 26, obtained a marriage license in Beverly Hills on Tuesday, Los Angeles County Recorder spokeswoman Elizabeth Knox said.

Celebrity website TMZ.com said the couple, who reunited earlier this year, are planning a New Year's Eve wedding.

Harris was Playboy magazine's Miss December 2009 and appeared on the July 2011 cover of the adult magazine with a "runaway bride" sticker covering her bottom half.

In what was described at the time only as a "change of heart," Harris dumped the magazine mogul and left his Playboy Mansion five days before a lavish June 2011 wedding before 300 guests.

This time around, the couple are playing it low-key, staying mum on their busy Twitter accounts with Hefner's spokeswoman declining to confirm or deny their plans.

Hefner, founder of the Playboy adult entertainment empire, has been married twice before. He and his second wife Kimberley Conrad, also a former Playmate, divorced in 2010 after a lengthy separation. His first marriage to Mildred Williams ended in divorce in 1959. He has two children from each marriage.

(Reporting By Jill Serjeant)

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Jazz pianist Dave Brubeck dead at 91

NEW YORK (Reuters) - Jazz pianist Dave Brubeck, whose choice of novel rhythms, classical structures and brilliant sidemen made him a towering figure in modern jazz, has died at the age of 91, his longtime manager and producer Russell Gloyd said on Wednesday.

Brubeck died of heart failure on Wednesday morning after he fell ill on his way to a regular medical exam at Norwalk Hospital, in Norwalk, Conn., a day short of his 92nd birthday, Gloyd said.

His Dave Brubeck Quartet put out one of the best selling jazz songs of all time: "Take Five," composed by alto saxophonist Paul Desmond. Like many of the group's works, it had an unusual beat -- 5/4 time as opposed to the usual 4/4.

"We play it differently every time we play it," Brubeck told The Philadelphia Inquirer in 2005. "So I never get tired of playing it. That's the beauty of jazz."

"Take Five" was the first million-selling jazz single.

Dressed in a suit and horn-rimmed glasses and living a clean-cut lifestyle in the 1950s, Brubeck did not fit the stereotype of a hipster jazzman and his music was not nearly as brooding as that coming from East Coast be-bop players.

Despite his innovative approach, some critics interpreted Brubeck's popularity as a sign of un-coolness, but his fans were undeterred.

Brubeck was born in Concord, California, on December 6, 1920. His father was a rancher and as a teenager Brubeck was a skilled cowboy. But his mother, a music teacher who had five pianos in the house, saw that he took up piano at age 5.

At the College of the Pacific in Stockton, California, he planned to be a veterinarian, but within a year he was majoring in music and playing jazz in nightclubs.

"After my first year in veterinary pre-med I switched to the music department ... and that was at the advice of my zoology teacher," Brubeck said in a Reuters interview. "He said 'Brubeck, your mind is not here, with these frogs and formaldehyde. Your mind is across the lawn at the conservatory. Will you please go over there.'"

Brubeck later met the co-director of a weekly campus radio show, Iola Marie Whitlock, and they eventually married.

After graduation, Brubeck studied under French composer Darius Milhaud and played in a U.S. Army jazz band during World War Two.

In the late 1940s, he moved to the San Francisco Bay area, where he headed an experimental jazz octet. He formed a trio in 1950 and the following year expanded to a quartet with Desmond, who he had known since the war.

Brubeck injected classical counterpoint, atonal harmonies and modern dissonance into his music, hinting at composers such as Debussy, Bartok, Stravinsky and Bach.

The group built an enduring fan base by taking its subdued bluesy brand of classically influenced jazz to colleges.

As a leading figure in the West Coast jazz scene, which also included Gerry Mulligan and Chet Baker, Brubeck was featured in a Time magazine cover story in 1954. Some critics and black musicians, who felt jazz was a central part of black culture, resented the story about the prominence of a white artist.

In the article Brubeck said Milhaud had told him "if I didn't stick to jazz, I'd be working out of my own field and not taking advantage of my American heritage."

Brubeck disbanded the quartet in 1967 after nearly 17 years to concentrate on composing. He wrote several choral works, all religiously influenced.

He later began performing jazz regularly again and appeared with his sons, Darius, a composer and pianist; Chris, who played electric bass and trombone; and drummer Danny. They were billed as Two Generations of Brubeck.

In February 1989 Brubeck, who had a history of heart problems, underwent triple-bypass surgery but kept playing. Well into his 80s, he still put on some 80 shows a year. He had a pacemaker implanted in October 2010.

Actor-director Clint Eastwood, a jazz fan, announced plans to make a documentary on Brubeck in 2007. Eastwood also was named chairman of the Brubeck Institute at the University of the Pacific, designated as the home of his papers, private recordings and other memorabilia.

Brubeck and his wife, who also was his agent and lyricist, had two other sons, Matthew, a cellist, and Michael, and a daughter, Catherine. The couple lived in Wilton, Connecticut.

(Reporting by Christine Kearney; Editing by Leslie Gevirtz)

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A Minute With: Scottish DJ Calvin Harris hits big time in U.S

LOS ANGELES (Reuters) - Scottish DJ Calvin Harris may not be the most recognizable face in the U.S. music scene, but after writing Rihanna's biggest chart hit and with two other top 20 singles, Harris is fast becoming a chart staple.

Harris, 28, found success in the UK over the last five years before storming the Billboard Hot 100 earlier this year with "We Found Love," a dance-infused dark love song featuring Rihanna's vocals that became one of 2012's biggest hits.

The DJ, who released album "18 Months" in November featuring other hits "Feels So Close" and "Let's Go," sat down with Reuters to talk about his U.S. breakthrough.

Q: Did you ever think "We Found Love" was going to be one of the biggest hits in the U.S. this year, and what do you think of the growing British presence in the U.S. music charts?

A: "I hoped that it would do really well, but you can't predict writing Rihanna's biggest-ever record, else you're an egomaniac. Couldn't have predicted that - that was a surprise. It's nice that British music is getting played over here, it seems like everyone has a more even playing field than before."

Q: Why do you think dance music is becoming such a big part of the U.S. scene?

A: "The people to thank are probably the Black Eyed Peas and Lady Gaga. They were the first two American mainstream acts to have that house beat in their songs, whereas before, it was all hip hop. I remember Ne-Yo, when 'Closer' came out ... and it bombed here but in the UK it was number 1, it was massive ... Black Eyed Peas' 'I Got a Feeling' and (Lady Gaga's) 'Poker Face' that was pushed really hard, and once they were huge, huge hits ... radio stations wanted more and there was plenty of it because it's been going on for years."

Q: There are a lot of DJs coming into the mainstream scene now. How do you make yourself stand out in a saturated market?

A: "I like making dance records with lyrical depth. I also like the music to sound rich and full and have real instruments, and not be that kind of synthetic sound, combined with lyrics about popping bottles, being in the club ... I like them to be the sort of lyrics you can find in another genre because I think dance music historically, the lyrics have been banal and I'm not into that. I like making actual songs but also something that still works on the dance floor."

Q: Your new album "18 Months" has songs that span different sounds within the dance-pop genre. Were any tracks challenging?

A: "The two most challenging mixes were the tracks with Example and Florence (Welch), because I think the key is to make it sound like there isn't that much going on when actually there is ... it was a more difficult mix because it was more dynamic."

Q: Some critics say that you use well-known artists like Rihanna or Florence just so you can get hits. What do you say to people who think you've sold out?

A: "Critics don't buy albums, they're also almost 90 percent either failed musicians or they don't know better than anyone else. Also, I don't like them. What's the point of a critic? ... I 'sold out' when I signed a major record deal, which was in 2006. People didn't say I sold out then ... so don't accuse me of selling out now. It's very very late to do that.

"If Florence Welch wants to do a track with me, I'm going to say no and use someone unknown? ... I want to do a track with people I like, not people I haven't heard of before."

Q: Some of your music videos have been provocative. "We Found Love" features domestic abuse and drug use, and Florence Welch's "Sweet Nothing" has violence. Do you think music videos have to provoke to be noticed?

A: "I like videos to be seen by all and the guy who's done my videos since 'Bounce,' Vince Haycock, I forever censor him ... But recently, I've let him do whatever he wants and it's more fun, I've discovered, to make whatever video he wants to make ... I guess you're more likely to get more views if someone is getting smacked in the face with a chair ... 'Sweet Nothing' was great, but there was a lot that was cut out, like a brutal fight scene at the end ... it got cut out because I couldn't watch it, and the soundtrack was my music. There's obviously a boundary. I've not had any naked people in my videos yet."

Q: A lot of DJs are now collaborating with brand names in sponsorship deals. Are you doing anything similar?

A: "I'm genuinely just making music, I'm trying to make it good. I know these guys with their headphones and their logos and their gimmicks - you can take that route but I think it's just added pressure to uphold something ... Other people do it much better than me because they're more like personalities."

(Reporting By Piya Sinha-Roy, editing by Jill Serjeant and Nick Zieminski)

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